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EMMY IN THE KEY OF CODE

Never didactic, these poems interweave music, programming, family drama, and middle school as interconnected parts of Emmy’s...

A 12-year-old whose dreams of musicianship are shattered discovers a passion for code.

Emmy’s lonely at her new San Francisco school. When her pianist dad got a dream job at the symphony, the family moved from Wisconsin—her mom’s opera career is portable—but Emmy’s miserable. Devastated she doesn’t have the talent to follow in her parents’ footsteps, she ends up in computer club instead of choir. And it’s there, learning Java, that Emmy makes friends with Abigail—and discovers that coding gives her a joy she’d believed came only from music. Free-verse chapters are conventional at first, drawing poetic structures from musical metaphors. But as Emmy learns Java, the language and structure of programming seep into her poems. Music and code interweave (one poem presents Emmy and Abigail’s pair-programming as a musical duet). Typeface changes have myriad effects: showcasing software and musical terms, mirroring the way formatting helps programmers understand software, and reflecting Emmy’s emotional state. As she becomes more comfortable in her own skin, she grows aware of the many traumas that affect her family, classmates, and teachers, and readers will cheer to see them work collectively—like an orchestra or like software developers—to create something beautiful. Characters’ races are unspecified, but on the cover Emmy presents white and Abigail (whose braids are referred to repeatedly) as black.

Never didactic, these poems interweave music, programming, family drama, and middle school as interconnected parts of Emmy’s life. (glossary) (Verse fiction. 9-13)

Pub Date: Sept. 24, 2019

ISBN: 978-0-358-04082-8

Page Count: 416

Publisher: Versify/HMH

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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PAX

Moving and poetic.

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A motherless boy is forced to abandon his domesticated fox when his father decides to join soldiers in an approaching war.

Twelve-year-old Peter found his loyal companion, Pax, as an orphaned kit while still grieving his own mother’s death. Peter’s difficult and often harsh father said he could keep the fox “for now” but five years later insists the boy leave Pax by the road when he takes Peter to his grandfather’s house, hundreds of miles away. Peter’s journey back to Pax and Pax’s steadfastness in waiting for Peter’s return result in a tale of survival, intrinsic connection, and redemption. The battles between warring humans in the unnamed conflict remain remote, but the oncoming wave of deaths is seen through Pax’s eyes as woodland creatures are blown up by mines. While Pax learns to negotiate the complications of surviving in the wild and relating to other foxes, Peter breaks his foot and must learn to trust a seemingly eccentric woman named Vola who battles her own ghosts of war. Alternating chapters from the perspectives of boy and fox are perfectly paced and complementary. Only Peter, Pax, Vola, and three of Pax’s fox companions are named, conferring a spare, fablelike quality. Every moment in the graceful, fluid narrative is believable. Klassen’s cover art has a sense of contained, powerful stillness. (Interior illustrations not seen.)

Moving and poetic. (Animal fantasy. 9-13)

Pub Date: Feb. 2, 2016

ISBN: 978-0-06-237701-2

Page Count: 304

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 18, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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OBIE IS MAN ENOUGH

Energizing and compassionate.

An aspiring transgender Junior Olympian swimmer finds the strength and pride in his identity to race toward his dreams in this debut coming-of-age novel by groundbreaking trans athlete Bailar.

Starting over after his abusive and discriminatory swim coach excluded him from the team, Obie Chang, a biracial (White/Korean) transgender boy worries about catching up to the other boys and proving that he is “man enough.” Although his family supports him, one of his best friends at school and the pool has turned into his biggest bully, and the other is drifting away toward the mean, popular girls. As he dives from the blocks into the challenging waters of seventh grade and swims toward his goal of qualifying for the Junior Olympics, Obie discovers belonging in his community and in himself. Affirming adults—including his parents and grandparents, a new swim coach, and his favorite teacher—play significant supporting roles by offering encouragement without pressure, centering Obie’s feelings, and validating Obie’s right to set his own boundaries. Vulnerable first-person narration explores Obie’s internal conflict about standing up for himself and his desire to connect to his Korean heritage through his relationship with Halmoni, his paternal grandmother. A romance with Charlie, a cisgender biracial (Cuban/White) girl, is gentle and privacy-affirming. Short chapters and the steady pace of external tension balance moments of rumination, grounding them in the ongoing action of Obie’s experiences.

Energizing and compassionate. (author's note, resources, glossary) (Fiction. 10-13)

Pub Date: Sept. 7, 2021

ISBN: 978-0-593-37946-2

Page Count: 352

Publisher: Crown

Review Posted Online: July 7, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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