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NEITHER

A sweet story of acceptance for all those who are this, that, neither, either, and everything in between

“Once upon a time, there were two kinds: this and that”: blue bunnies and yellow birds, with no other options. Until one day, an unusual egg hatches something that’s a bit of both—it’s a bright green creature with ears and tail like a bunny’s on a body like a bird’s. An animal that’s both, or Neither, does not really fit in anywhere, not quite “rabbity” nor “birdy” enough. So Neither flies off for Somewhere Else and stumbles upon a friendly community with lots of other “neither” sorts. Anderson’s bright gouache illustrations depict fantastic, rainbow-hued creatures that don’t quite fit into any neat box, not even those of well-known mythical creatures. Wings, spots, unicorn horns, and beaks, in any combination, all are welcome in the Land of All. Overtly a celebration of nonbinary identities, this parable is well-suited for any shelf seeking positive diversity titles for preschoolers and early-elementary students. Reminiscent of other recent titles in the same vein (Michael Hall’s Red, 2015, and Andrea J. Loney and Carmen Saldaña’s Bunnybear, 2017, are just two), this stands out for its accessibility to even very young read-aloud audiences.

A sweet story of acceptance for all those who are this, that, neither, either, and everything in between . (Picture book. 2-6)

Pub Date: Feb. 13, 2018

ISBN: 978-0-316-54769-7

Page Count: 40

Publisher: Little, Brown

Review Posted Online: Nov. 21, 2017

Kirkus Reviews Issue: Dec. 15, 2017

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ANIMAL SHAPES

Innovative and thoroughly enjoyable.

You think you know shapes? Animals? Blend them together, and you might see them both a little differently!

What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?

Innovative and thoroughly enjoyable. (Board book. 2-4)

Pub Date: March 27, 2018

ISBN: 978-1-4998-0534-5

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: July 1, 2018

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STOP! BOT!

The visual details invite interaction, making it a good choice for storytime or solo inspection.

It’s a quiet day, until….

“I have a bot!” An excited child’s happiness is short-lived, for the remote-controlled toy escapes its wireless tether and begins an ascent up the side of a skyscraper. The building’s doorman launches a race to recover the bot, and soon everyone wants to help. Attempts to retrieve the bot, which is rendered as a red rectangle with a propeller, arms, and a rudimentary face, go from the mundanity of a broom to the absurd—a bright orange beehive hairdo and a person-sized Venus’ flytrap are just some of the silly implements the building’s occupants use to try to rein in the bot. Each double-page spread reveals another level of the building—and further visual hijinks—as the bot makes its way to the top, where an unexpected hero waits (keep an eye out for falling bananas). The tall, narrow trim size echoes the shape of the skyscraper, providing a sense of height as the bot rises. Text is minimal; short declarations in tidy black dialogue bubbles with white courier-style typeface leave the primary-colored, blocky art to effectively carry the story. Facial expressions—both human and bot—are comically spot-on. The bot-owning child has light skin, and there are several people of color among those trying to rescue the bot. One person wears a kufi.

The visual details invite interaction, making it a good choice for storytime or solo inspection. (Picture book. 2-6)

Pub Date: July 23, 2019

ISBN: 978-0-425-28881-8

Page Count: 40

Publisher: Viking

Review Posted Online: March 30, 2019

Kirkus Reviews Issue: April 15, 2019

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