Cyberpunk aficionados will enjoy this slick and highly readable tale.
Davidson’s debut series starter is an SF thriller that revolves around a young man with a mysterious background—and even more mysterious abilities.
The narrative is set in the near future of 2073 on the West Coast of a United States ravaged by ecological and economic disaster. San Francisco, for example, has been devastated by earthquakes and is now called Old Town, a lawless wasteland of “warring gangs, drug dealers, low-level mobsters, and sex peddlers.” Joshua Cabrera is the 24-year-old leader of the Epitaphs. They’re at the top of Old Town’s food chain, due in large part to their brilliant, tech-savvy members, who can hack into any site and have developed cutting-edge cybernetic, implanted wetware for their members. Under Joshua’s steady leadership, the gang is about to finish a multimillion-dollar deal to sell the Maelstrom, a seemingly unstoppable mind-linked weapon designed by Joshua and his best friend, Kevin Maitland, a developer who’s done revolutionary work in nanotech and neuroscience. But the deal goes bad, and Joshua and his crew become prime targets in the Nevada State Military Zone, run by tyrannical government agencies. Agent Vince Farrell’s mission is simple: locate Joshua and the revolutionary weapon at any cost. However, Joshua is much more than he seems—and his unexplainable enhancements may lead to greater revelations. This SF crime novel has a lot of noteworthy elements. The worldbuilding, for instance, is exceptional—even in the virtual realities that provide characters with entertainment—as is the fine pacing. There’s also an impressive amount of action and adventure as well as intricate plotting and detailed character development. Joshua, in particular, has significant depth that gives him the potential to carry multiple future installments. And the humor throughout is a definite plus; readers won’t soon forget an odd gag involving virtual chipmunks.
Cyberpunk aficionados will enjoy this slick and highly readable tale.Pub Date: Dec. 20, 2021
ISBN: 979-8-9852207-2-8
Page Count: 409
Publisher: Destiny Engine
Review Posted Online: Feb. 2, 2022
Kirkus Reviews Issue: March 15, 2022
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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