by Al Franken ‧ RELEASE DATE: May 30, 2017
Here’s how the sausage is made on Capitol Hill—and in Franken’s case, made with a smile.
The nation’s funniest senator speaks of the strange ways of government by “old white men.”
Franken, the Democratic senator from Minnesota and survivor of the early years of Saturday Night Live, is a definitively humorous fellow and about as candid as any politician can be expected to be. As he opens this memoir/user’s manual, he recounts that he is asked from time to time whether holding a seat in the Senate is as much fun as having been on SNL back in the glory days, to which his response is, “why would it be?” Why, indeed? He finds that his stock is increased among his Republican counterparts, however, when they learn that he knew Broderick Crawford, the tough hero of the classic law-and-order TV series Highway Patrol—proving, he says, precisely the oldness and whiteness of the legislative body, and mostly for the worse. Along the way, Franken is open about discussing his wife’s alcoholism and the effect it had on his first run for the Senate; far from being a liability, voters appreciated both the humanity and humility of their openness about the problem and Franken’s loyalty alike. The same problem was more insidious with the author’s erstwhile comedy partner Tom Davis; suffice it to say, as Franken does, that his reaction to the addiction “had made me a much less pleasant person to be around.” If anything, the author comes off as affable without being overly yielding, friendly but ready to scrap, and an unabashed devotee of the “Hillary Model”: “Be a workhorse, not a showhorse. Go to all your hearings. Come early, stay late. Do your homework. Don’t do national press. Be accessible to your state media and to your constituents.” And though he allows that Republicans “are just awful,” he also holds that Democrats have to accommodate the fact that they exist and try to get things done with them—all except maybe Ted Cruz.
Here’s how the sausage is made on Capitol Hill—and in Franken’s case, made with a smile.Pub Date: May 30, 2017
ISBN: 978-1-5387-5998-1
Page Count: 416
Publisher: Twelve
Review Posted Online: April 16, 2017
Kirkus Reviews Issue: May 1, 2017
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BOOK REVIEW
by Al Franken
by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
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