by Alain Mabanckou & translated by Alison Dundy ‧ RELEASE DATE: March 11, 2013
A novel of few surprises, it must be seen for what it is: the uneven debut novel of a significant author with a growing...
A coming-of-age story of immigration and disillusionment that begins in post-colonial Congo.
This first novel from Mabanckou (Memoirs of a Porcupine, 2012, etc.), published originally in 1998, received the Grand Prix Littéraire de l’Afrique Noire. Growing up in a small town in the Congo, Massala-Massala lives in the shadow not of France so much as France personified by those who return from there to his community. Moki is worldly, wealthy, stylish, successful and a physically present epitome of Paris. When he returns, the community is in a frenzy: Moki has supplied his family with two cars they use as taxis and funds to construct a villa. More important than actual wealth is Moki’s style. Moki wears major labels, purportedly purchased in designer boutiques; these outfits, and how he wears them, make the man. During one visit, Moki agrees to accompany Massala-Massala to France, and a year is spent preparing. At the end of his next visit home, they leave together. The book’s second half dwells on Massala-Massala’s profound culture shock, on the truth of life as a “débarqué,” a newly arrived illegal immigrant. He learns that Moki is not who he appears to be; Moki’s success is a beautiful illusion, assiduously cultivated as celebrity. In order to obtain his residency papers, Massala-Massala must undergo a sort of initiation: prove his value in the black market where Moki and his friends thrive.
A novel of few surprises, it must be seen for what it is: the uneven debut novel of a significant author with a growing reputation.Pub Date: March 11, 2013
ISBN: 978-0-253-00791-9
Page Count: 168
Publisher: Indiana Univ.
Review Posted Online: Jan. 19, 2013
Kirkus Reviews Issue: Feb. 1, 2013
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BOOK REVIEW
by Alain Mabanckou ; translated by Helen Stevenson
BOOK REVIEW
by Alain Mabanckou ; translated by Helen Stevenson
BOOK REVIEW
by Alain Mabanckou translated by Helen Stevenson
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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