by Alan Dean Foster ‧ RELEASE DATE: Nov. 7, 2017
Nondescript entertainment, especially if you find the notion of yodeling Yodas appealing.
Another adventure for empathic fix-it operatives Flinx and Pip, in a series that’s been appearing sporadically since 1972 (most recently Flinx Transcendent, 2009).
Philip Lynx, the product of illegal eugenics experiments, has the ability to perceive and project emotions, as does Pip, his venomous flying-snake sidekick. While they’re enjoying a well-earned extended vacation, an alien thranx from the Commonwealth shows up to request their assistance. The cool, damp planet Largess is home to “almost seal-like” alien Larians, whose backward technology and dangerously unstable politics prevent the Commonwealth from trading freely with them or offering full membership. An unscrupulous human, it emerges, has kidnapped the daughter of a Larian bigwig and is also distributing embargoed technology and weapons. War must be prevented. Flinx and Pip, with their unique abilities, seem well-suited to locating and neutralizing the malefactor. The Larians communicate by means of “singspeak,” a language that’s sung rather than spoken, which Flinx anticipates no difficulties in learning. Once on Largess, however, Flinx discovers his empathic abilities don’t work while the Larians singspeak; only when they’re silent can he read their emotions. Worse, his Larian contact, Wiegl, may or may not be trustworthy. The investigation that subsequently unfolds will prove cozily familiar and reasonably satisfying to fans of the duo—Foster, prolific both as a novelizer (Star Wars, Star Trek, Alien, Transformers, Terminator, etc., etc.) and author of stand-alone novels and series, capably turns out blandly pleasing potboilers, and this one assumes no previous knowledge of the series. However, issues arise with singspeak: representing it in prose required obvious effort, and it rapidly grows tedious to read.
Nondescript entertainment, especially if you find the notion of yodeling Yodas appealing.Pub Date: Nov. 7, 2017
ISBN: 1-101-96760-9
Page Count: 288
Publisher: Del Rey/Ballantine
Review Posted Online: Sept. 5, 2017
Kirkus Reviews Issue: Sept. 15, 2017
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by Blake Crouch ‧ RELEASE DATE: July 26, 2016
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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PROFILES
BOOK TO SCREEN
by Ernest Cline ‧ RELEASE DATE: Aug. 16, 2011
Too much puzzle-solving, not enough suspense.
Video-game players embrace the quest of a lifetime in a virtual world; screenwriter Cline’s first novel is old wine in new bottles.
The real world, in 2045, is the usual dystopian horror story. So who can blame Wade, our narrator, if he spends most of his time in a virtual world? The 18-year-old, orphaned at 11, has no friends in his vertical trailer park in Oklahoma City, while the OASIS has captivating bells and whistles, and it’s free. Its creator, the legendary billionaire James Halliday, left a curious will. He had devised an elaborate online game, a hunt for a hidden Easter egg. The finder would inherit his estate. Old-fashioned riddles lead to three keys and three gates. Wade, or rather his avatar Parzival, is the first gunter (egg-hunter) to win the Copper Key, first of three. Halliday was obsessed with the pop culture of the 1980s, primarily the arcade games, so the novel is as much retro as futurist. Parzival’s great strength is that he has absorbed all Halliday’s obsessions; he knows by heart three essential movies, crossing the line from geek to freak. His most formidable competitors are the Sixers, contract gunters working for the evil conglomerate IOI, whose goal is to acquire the OASIS. Cline’s narrative is straightforward but loaded with exposition. It takes a while to reach a scene that crackles with excitement: the meeting between Parzival (now world famous as the lead contender) and Sorrento, the head of IOI. The latter tries to recruit Parzival; when he fails, he issues and executes a death threat. Wade’s trailer is demolished, his relatives killed; luckily Wade was not at home. Too bad this is the dramatic high point. Parzival threads his way between more ’80s games and movies to gain the other keys; it’s clever but not exciting. Even a romance with another avatar and the ultimate “epic throwdown” fail to stir the blood.
Too much puzzle-solving, not enough suspense.Pub Date: Aug. 16, 2011
ISBN: 978-0-307-88743-6
Page Count: 384
Publisher: Crown
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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SEEN & HEARD
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