Deft dialogue, crisp plotting, and a likable central figure make this multidisciplinary scientific adventure an exuberant...
A professor and parapsychology researcher discovers a key to mankind’s evolution or destruction in this debut thriller.
Beau Walker is a man without a field. Teaching at a backwater university after being dismissed from a government project because of his ethical concerns and bureaucratic maneuvers on the part of a one-time friend, Walker is an academic pariah until two soldiers appear one day. His former friend needs Walker’s expertise, and the professor—who is haunted by both his empathic abilities and the memory of the one time they failed him—has little choice but to cooperate. In the Russian city of Podol’sk, a project partially based on Walker’s work has gone horribly awry, killing thousands and leaving traces of mysteries that threaten humanity’s scientific understanding. Discovering what occurred, and how to prevent it from happening again, falls on Walker and his new friends, who are initially perplexed (in a meeting, Walker confesses, “There’s something I can’t grasp, like trying to grab a slippery ball in a swimming pool. Always just out of reach”). But as secrets and revelations accumulate, the team’s combined knowledge and abilities may be inadequate to stop what’s coming. Throughout the investigation, Walker, a complex intellectual, struggles with the duality of his heritage—African-American mother, Mohawk father—as well as the divide between the rigorous scientific experiments in neurophysiology and psychopharmacology and the intuitive, imaginative aspects of his psychological and cultural studies. Joshua writes with a sure hand, managing to squeeze in many discussions and esoteric concepts, ranging from mythic structures to neuropsychology to remote viewing, while keeping the dialogue realistic and sharp. Although the author leans on slang a bit heavily at times, particularly with the British geologist Gareth (whose dialogue self-consciously uses British colloquialisms such as “munted” and “Bollocks!” at every opportunity), the pace rarely flags, and Joshua allows the surfeit of information to proceed naturally from the characters’ words and thoughts. Because of this fluidity, the characters react in believable ways even when the plot developments, which borrow from quantum physics, anthropology, and psychology, inspire incredulity. In addition, Joshua has crafted an appealing protagonist in Walker. Short-tempered, kind, thoughtful, yet impulsive, he is a flawed but ultimately heroic character and serves as a narrative linchpin throughout this absorbing story.
Deft dialogue, crisp plotting, and a likable central figure make this multidisciplinary scientific adventure an exuberant and involving read.Pub Date: Sept. 2, 2015
ISBN: 978-1-77155-206-6
Page Count: 474
Publisher: Champagne Books
Review Posted Online: Jan. 26, 2016
Kirkus Reviews Issue: March 15, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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