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The SHIVA Syndrome

Deft dialogue, crisp plotting, and a likable central figure make this multidisciplinary scientific adventure an exuberant...

Awards & Accolades

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A professor and parapsychology researcher discovers a key to mankind’s evolution or destruction in this debut thriller.

Beau Walker is a man without a field. Teaching at a backwater university after being dismissed from a government project because of his ethical concerns and bureaucratic maneuvers on the part of a one-time friend, Walker is an academic pariah until two soldiers appear one day. His former friend needs Walker’s expertise, and the professor—who is haunted by both his empathic abilities and the memory of the one time they failed him—has little choice but to cooperate. In the Russian city of Podol’sk, a project partially based on Walker’s work has gone horribly awry, killing thousands and leaving traces of mysteries that threaten humanity’s scientific understanding. Discovering what occurred, and how to prevent it from happening again, falls on Walker and his new friends, who are initially perplexed (in a meeting, Walker confesses, “There’s something I can’t grasp, like trying to grab a slippery ball in a swimming pool. Always just out of reach”). But as secrets and revelations accumulate, the team’s combined knowledge and abilities may be inadequate to stop what’s coming. Throughout the investigation, Walker, a complex intellectual, struggles with the duality of his heritage—African-American mother, Mohawk father—as well as the divide between the rigorous scientific experiments in neurophysiology and psychopharmacology and the intuitive, imaginative aspects of his psychological and cultural studies. Joshua writes with a sure hand, managing to squeeze in many discussions and esoteric concepts, ranging from mythic structures to neuropsychology to remote viewing, while keeping the dialogue realistic and sharp. Although the author leans on slang a bit heavily at times, particularly with the British geologist Gareth (whose dialogue self-consciously uses British colloquialisms such as “munted” and “Bollocks!” at every opportunity), the pace rarely flags, and Joshua allows the surfeit of information to proceed naturally from the characters’ words and thoughts. Because of this fluidity, the characters react in believable ways even when the plot developments, which borrow from quantum physics, anthropology, and psychology, inspire incredulity. In addition, Joshua has crafted an appealing protagonist in Walker. Short-tempered, kind, thoughtful, yet impulsive, he is a flawed but ultimately heroic character and serves as a narrative linchpin throughout this absorbing story.

Deft dialogue, crisp plotting, and a likable central figure make this multidisciplinary scientific adventure an exuberant and involving read.

Pub Date: Sept. 2, 2015

ISBN: 978-1-77155-206-6

Page Count: 474

Publisher: Champagne Books

Review Posted Online: Jan. 26, 2016

Kirkus Reviews Issue: March 15, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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