A well-crafted adaptation that offers readers richly developed, relatable characters.


Contemporary language takes the place of Elizabethan English in this surprisingly fresh retelling of William Shakespeare’s Hamlet.

Debut novelist Lehmann adheres to the Bard’s plot, although, in this version, Hamlet’s trusted friend and confidant Horatio tells a good deal of the tale. Instead of opening the story with a visit from the ghost of Hamlet’s fallen father, readers join Horatio just days after the tragic deaths of the Danish royal family. Horatio’s task—undoubtedly a familiar one to students of English literature—is to write a report for his country’s new king examining the factors that led to the court’s “catastrophic destruction.” Through interviews, Horatio’s own recollections, and retrieved diary entries and letters, readers learn how Prince Hamlet’s vow to avenge his father’s death ultimately toppled a kingdom. Horatio serves as an able storyteller—offering readers a primer that prepares them to dive deeper into Shakespeare’s classic tragedy. But the novel is also at work on another level: Horatio’s narration is interspersed with third-person passages allowing a closer look into the minds of Hamlet’s love interest, Ophelia, and his mother, Gertrude. The motivations of these women have long been debated by scholars, in part because female characters receive scant attention in the original play. Lehmann’s version, by contrast, offers fuller portrayals. Gertrude, for example, has “never completely trusted” Claudius, and Ophelia, mourning the death of her father and still reeling from the loss of Hamlet’s affections, yearns for the simplicity of childhood’s protective cloak. Such humanizing details ensure that each woman’s death is a tragedy in its own right. The scene building up to Ophelia’s drowning is especially haunting: “The rush of the water was mesmerizing….Its gurgle, and the splash off the wheel as it turned over, were voices she knew and trusted,” Lehmann writes. “There was almost a sleepiness to it, the sound of a caress, of liquid inevitability.”

A well-crafted adaptation that offers readers richly developed, relatable characters.

Pub Date: April 20, 2015

ISBN: 978-1-4834-2867-3

Page Count: 386

Publisher: Lulu

Review Posted Online: Aug. 13, 2015

Kirkus Reviews Issue: Sept. 15, 2015

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The years pass by at a fast and steamy clip in Blume’s latest adult novel (Wifey, not reviewed; Smart Women, 1984) as two friends find loyalties and affections tested as they grow into young women. In sixth grade, when Victoria Weaver is asked by new girl Caitlin Somers to spend the summer with her on Martha’s Vineyard, her life changes forever. Victoria, or more commonly Vix, lives in a small house; her brother has muscular dystrophy; her mother is unhappy, and money is scarce. Caitlin, on the other hand, lives part of the year with her wealthy mother Phoebe, who’s just moved to Albuquerque, and summers with her father Lamb, equally affluent, on the Vineyard. The story of how this casual invitation turns the two girls into what they call "Summer sisters" is prefaced with a prologue in which Vix is asked by Caitlin to be her matron of honor. The years in between are related in brief segments by numerous characters, but mostly by Vix. Caitlin, determined never to be ordinary, is always testing the limits, and in adolescence falls hard for Von, an older construction worker, while Vix falls for his friend Bru. Blume knows the way kids and teens speak, but her two female leads are less credible as they reach adulthood. After high school, Caitlin travels the world and can’t understand why Vix, by now at Harvard on a scholarship and determined to have a better life than her mother has had, won’t drop out and join her. Though the wedding briefly revives Vix’s old feelings for Bru, whom Caitlin is marrying, Vix is soon in love with Gus, another old summer friend, and a more compatible match. But Caitlin, whose own demons have been hinted at, will not be so lucky. The dark and light sides of friendship breathlessly explored in a novel best saved for summer beachside reading.

Pub Date: May 8, 1998

ISBN: 0-385-32405-7

Page Count: 336

Publisher: Delacorte

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 1998

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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