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BLESS THE THIEF

English Wall debuts with an ambitiously twisty intellectual adventure especially good for those smitten by—and maybe versed in—the traditions of decadence in art and poetry rooted in the end of the last century. Life isn—t so happy for Tom Lynch after his British father is lost in the 1937 burning of the Hindenburg, especially when his New Jersey mother—vain, shallow, resentful’so much prefers her new boyfriend over her son. But right after WWII, Tom finds himself sent off to prep school in England, where he’s virtually adopted by the school’s fiercely principled (and fiercely Catholic) head, Patrick Grimshaw. Grimshaw introduces Catholic Tom to the long, rancorous, often sectarian history of the Yorkshire moors—and introduces him to something more as well by giving him a copy of Paradise Lost created and illustrated by the artist Alfred Delaquay. Delaquay, a mix of Baudelaire in the depraved and Blake in the visionary, issued his illustrated works in editions of single copies as a protest, in part, against modern philistinism and lack of high principle; and now just to receive one of them—the Dante, Milton, or Blake—requires becoming a member of the secret Delaquay Society and upholding its truths forever, including the vow never ever to gain a penny from Delaquay. When Tom goes to Oxford, though, to study art, his own spiral into drink and compromise doesn—t take long—nor does his expulsion from the Society, once he breaks the code by paying cash—1,000 lbs.—for the Delaquay Baudelaire. Nothing now will keep him—not even the love of piercingly brilliant, brave, beautiful Rachel Fein, lecturer at Oxford—from falling further into depravity in London, even his becoming, in cahoots with a truly amoral and wonderfully limned gallery owner, the producer himself of dozens of fake Delaquays. What awaits tormented Tom in the end, if heavier in plot than in psychology, will displease only few. Profundities—real ones’survive felicitously and well inside an often sordid tale of mystery and high squalor.

Pub Date: June 1, 1998

ISBN: 0-609-60158-X

Page Count: 224

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1998

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BADLANDS

A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be...

Box takes another break from his highly successful Joe Pickett series (Stone Cold, 2014, etc.) for a stand-alone about a police detective, a developmentally delayed boy, and a package everyone in North Dakota wants to grab.

Cassandra Dewell can’t leave Montana’s Lewis and Clark County fast enough for her new job as chief investigator for Jon Kirkbride, sheriff of Bakken County. She leaves behind no memories worth keeping: her husband is dead, her boss has made no bones about disliking her, and she’s looking forward to new responsibilities and the higher salary underwritten by North Dakota’s sudden oil boom. But Bakken County has its own issues. For one thing, it’s cold—a whole lot colder than the coldest weather Cassie’s ever imagined. For another, the job she turns out to have been hired for—leading an investigation her new boss doesn’t feel he can entrust to his own force—makes her queasy. The biggest problem, though, is one she doesn’t know about until it slaps her in the face. A fatal car accident that was anything but accidental has jarred loose a stash of methamphetamines and cash that’s become the center of a battle between the Sons of Freedom, Bakken County’s traditional drug sellers, and MS-13, the Salvadorian upstarts who are muscling in on their territory. It’s a setup that leaves scant room for law enforcement officers or for Kyle Westergaard, the 12-year-old paperboy damaged since birth by fetal alcohol syndrome, who’s walked away from the wreck with a prize all too many people would kill for.

A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be welcome to return and tie up the gaping loose end Box leaves. The unrelenting cold makes this the perfect beach read.

Pub Date: July 28, 2015

ISBN: 978-0-312-58321-7

Page Count: 272

Publisher: Minotaur

Review Posted Online: April 21, 2015

Kirkus Reviews Issue: May 15, 2015

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THE A LIST

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...

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A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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