by Alan Woo & illustrated by Isabelle Malenfant ‧ RELEASE DATE: Aug. 1, 2012
Youngsters learning to cope with eating utensils of any sort will appreciate Maggie’s efforts and urge her on to success.
Learning to use something new is never easy.
Young Maggie has a new set of chopsticks, but everyone says she is using them incorrectly. Evocative and appealing digitally enhanced watercolors show how Grandmother, Mother, Brother and Sister eat with their chopsticks (shoveling, popping, plucking and dancing, respectively), but Maggie can’t seem to follow any of their examples. The Kitchen God has nothing helpful to say, and Maggie’s private practicing doesn’t help her either; it’s not until Father offers praise and comforting words about individuality that Maggie finds her own style, “like a butterfly emerging / from a long winter’s sleep.” Though something seems lost here—it is difficult to see whether the setting is China or elsewhere, whether using chopsticks with style is a cultural phenomenon or based on Maggie’s own observations, and whether Maggie improves through practice, simply accepts herself or both—the story is well-intentioned, the character plucky and hardworking, and the illustrations warm and striking.
Youngsters learning to cope with eating utensils of any sort will appreciate Maggie’s efforts and urge her on to success. (Picture book.3-5)Pub Date: Aug. 1, 2012
ISBN: 978-1-55453-619-1
Page Count: 32
Publisher: Kids Can
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
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by Alan Woo ; illustrated by Katty Maurey
by Nancy Loewen ; illustrated by Sachiko Yoshikawa ‧ RELEASE DATE: Feb. 1, 2011
Loewen’s story is a simple snapshot of kindergarten graduation day, and it stays true to form, with Yoshikawa’s artwork resembling photos that might be placed in an album—and the illustrations cheer, a mixed media of saturated color, remarkable depth and joyful expression. The author comfortably captures the hesitations of making the jump from kindergarten to first grade without making a fuss about it, and she makes the prospect something worth the effort. Trepidation aside, this is a reminder of how much fun kindergarten was: your own cubbyhole, the Halloween parade, losing a tooth, “the last time we’ll ever sit criss-cross applesauce together.” But there is also the fledgling’s pleasure at shucking off the past—swabbing the desks, tossing out the stubbiest crayons, taking the pictures off the wall—and surging into the future. Then there is graduation itself: donning the mortarboards, trooping into the auditorium—“Mr. Meyer starts playing a serious song on the piano. It makes me want to cry. It makes me want to march”—which will likely have a few adult readers feeling the same. (Picture book. 4-5)
Pub Date: Feb. 1, 2011
ISBN: 978-0-7614-5807-4
Page Count: 32
Publisher: Marshall Cavendish
Review Posted Online: Jan. 8, 2011
Kirkus Reviews Issue: Jan. 15, 2011
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by Nancy Loewen & Linda Hayen ; illustrated by Yana Zybina
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by Nancy Loewen ; illustrated by Hazel Michelle Quintanilla
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retold by Brigette Barrager & illustrated by Brigette Barrager ‧ RELEASE DATE: June 1, 2011
Digital illustrations vary in format from spot art to full-bleed spreads, but everything from the begowned princesses to the...
The particular challenge of redoing a well-known, oft-published fairy tale is to offer a fresh or fruitful take, and this one doesn’t.
Digital illustrations vary in format from spot art to full-bleed spreads, but everything from the begowned princesses to the sparkling underground land they visit each night falls flat. The princesses are named for blossoms, each one “lovelier than the flower she was named for,” but their impossibly tiny waists and huge blue eyes look like a cheap, dull version of Disney. Their dance postures barely connote motion. On the page that displays the tale’s premise—that “[e]very morning, without fail, the soles of the princesses’ shoes were worn out and full of holes”—Barrager shows (nine) slippers that are grubby and scuffed but lack a single hole. Matching the insipid aesthetic is a text stripped of grit. No men lose their lives trying to solve the mystery before the hero (here, Pip the cobbler) does, and there are no men in the princesses’ underground boats, which “float silently” of their own accord. The boats need to float of their own accord, because these princesses have neither agency nor consciousness: They’re asleep from start to finish of the dancing escapades.Pub Date: June 1, 2011
ISBN: 978-0-8118-7696-4
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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by Amy Guglielmo & Jacqueline Tourville ; illustrated by Brigette Barrager
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by Amy Krouse Rosenthal & Christy Webster ; illustrated by Brigette Barrager & Chiara Fiorentino
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by Brigette Barrager ; illustrated by Brigette Barrager
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