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BABY, LET’S PLAY HOUSE

ELVIS PRESLEY AND THE WOMEN WHO LOVED HIM

Punishingly lurid, illuminating little about Elvis and less about the seemingly interchangeable women who fell for him.

A big hunk o’ sordid details about Elvis Presley’s many women.

The third Elvis-themed book by Nash (The Colonel: The Extraordinary Story of Colonel Tom Parker and Elvis Presley, 2004, etc.) depicts an enormously magnetic persona who frequently wielded his power as a sex symbol. The author includes seemingly every woman who fell into his orbit, from his wife, Priscilla, to one-night stands, to more long-term paramours like Ann-Margret. Though Nash draws heavily from the available literature, both major biographies and life-with-the-King tell-alls, she also conducted numerous interviews with the strippers, fans, co-stars and (especially) beauty queens with whom he consorted. In the process, she digs up surprisingly intimate details about Presley’s sexual proclivities, and makes it clear that as Don Juans go, Elvis was exceedingly insecure. Early in his career he gravitated toward underage women—14-year-olds seemed to be his preferred make-out partners—and his attraction to the Priscilla Beaulieu while in the Army reflects an instinct to seduce women he could easily control. Though he later preferred more mature girlfriends, he never found a way to be completely comfortable with them. He showered them with gifts and jewelry, flew them to Vegas or Graceland and shared his increasingly esoteric religious ideas with them, but rarely seemed to care deeply about them. Further, his prescription-pill addiction destroyed both his libido and his conscience. Nash makes much of Elvis’ close relationship with his mother and the fact that Elvis was an “untwinned twin”—his twin brother was stillborn—and she occasionally tethers a critical relationship to subconscious efforts to reconcile those lost connections. But such pop-psychology ruminations add only the thinnest veneer of gravitas to an overstuffed, flatly written catalogue of bedroom tales and laments about how Presley shipwrecked himself. Tellingly, Nash’s most intense investigative efforts are dedicated to whether Priscilla was a virgin before she met Elvis.

Punishingly lurid, illuminating little about Elvis and less about the seemingly interchangeable women who fell for him.

Pub Date: Jan. 5, 2010

ISBN: 978-0-06-169984-9

Page Count: 656

Publisher: It Books/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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