ALARIC THAIN'S HISTORY OF THE 21ST CENTURY

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ALARIC THAIN'S HISTORY OF THE 21ST CENTURY

Name: ALARIC THAIN'S HISTORY OF THE 21ST CENTURY
Author: Alaric Thain
ISBN: 978-1-73338-960-0

by Alaric Thain ‧ RELEASE DATE: Aug. 16, 2019

A thought-provoking but uneven tale with some intriguing ideas about the future.

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A debut work of speculative metafiction offers a time traveler’s view of the rest of the 21st century.

This book, written by time-traveling history professor Alaric Thain, actually won’t be published until 2864, and is meant to give readers of that time period some insight on how people lived in the 21st century. Alaric himself was born at the end of the 21st century. Although the what and how of the major historical events of that century are well documented, the professor (who has a unique insight into the way people of that era thought and felt) endeavors to provide the why. Of course, for 21st-century readers, the what and the how are just as interesting. What, for example, were the long-term effects of the Trump administration? Did people ever figure out what to do about climate change? How did humans develop Artie, “the last great invention of humankind, for since then, all non-artistic inventions have been made by Artie hirself”? Alaric delivers information on people and events that have not yet happened, like the rise of Destiny Holt, one of the preeminent “heroes that come down to us from the 21st century.” Most importantly, Alaric reveals how the trends of history—even those apparent today—led inevitably to the future of tomorrow. The book exhibits more than a bit of self-awareness. (The foreword, written in 2864 by one Faustina Dax, assures readers that the volume is “a masterpiece.”) But for the most part, it is a work of analytical history—and a fairly dry one at that. Author Thain takes readers through a summary of human society up to the current moment before engaging most directly with some of the pressing social concerns of the present, like global warming, wealth inequality, populism, and technology. In speculating about how these issues play out over the coming decades, he deftly reinforces the idea of how seriously readers should take them in the present and delivers several captivating concepts. His future reveals his own political readings and preferences—Donald Trump’s successor is Kamala Harris and humans will get to enjoy a version of universal basic income. Essentially a futurist work wrapped in fictional trappings, the lengthy (over 400 pages), somewhat self-indulgent book never matches the level of fun that it initially seems to promise.

A thought-provoking but uneven tale with some intriguing ideas about the future.

Pub Date: Aug. 16, 2019

ISBN: 978-1-73338-960-0

Page Count: 443

Publisher: Alaric Thain Publishing

Review Posted Online: Oct. 22, 2019

Review Program: Kirkus Indie

Categories:

GENERAL FICTION

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MAGIC HOUR

by Kristin Hannah ‧ RELEASE DATE: March 1, 2006

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

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Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:

GENERAL FICTION

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THE CATCHER IN THE RYE

by J.D. Salinger ‧ RELEASE DATE: June 15, 1951

A strict report, worthy of sympathy.

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A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.