Death, race, and injustice in the Deep South—in a deeply felt but crude first novel about the accidental death of a white girl that leads to the judicial murder of the black boy who killed her. The small town of Banes, Mississippi, 1937. White folks live in town, black folks live in the Patch. Proudest of the latter is Cinder, who has raised her son Billy Lee Turner on her own; her man Otis left for Chicago before Billy was born. But ten-year-old Billy has inherited Otis's ``wild-dog temper'' and carries a knife. Swimming in a pond in the woods with his friend Gumpy, the boys are attacked and overpowered by two older white girls, Lori and Jenny. Struggling to escape, Billy stabs Lori, who dies soon after. White vigilantes storm through the Patch and burn down a shack, despite the boys' speedy arrest. Even though mean Sheriff Tom concedes that ``that boy ain't got the slightest idea what he done,'' Billy is charged with first-degree murder, tried as an adult, sentenced to death and electrocuted. All of this is told with melodramatic frenzy (Cinder's eyes ``glowed the color of her burning soul'') and in a dialect so thick the characters sink under its weight. The all-seeing narrative eye roves so restlessly over a host of black and white characters that it never fixes on one, even Billy, for long—while minor but important characters, like Cinder's white father, get lost in the shuffle. Aside from a few moments of pathos when Billy is on Death Row, French's novel stays at the level of a lurid comic-strip. It is always distressing when a writer works at a harrowing portrayal of evil and misses by a country mile. For a fine treatment of similar material, read Ernest Gaines's A Lesson Before Dying (p. 167).
Pub Date: Nov. 1, 1993
ISBN: 0-670-85013-6
Page Count: 224
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1993
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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