Not as ambitious as The Lazarus Project, but no work by Hemon is a minor effort.
A master of modern literary gamesmanship returns with a short-story collection that just might be a novel, with elements that closely parallel the author’s career.
National Book Award–nominated author Hemon (The Lazarus Project, 2008, etc.), a Bosnian now based in Chicago who has had several stories published in the New Yorker, offers a series of interconnected, first-person narratives about a Bosnian writer who moves to Chicago and has a story called “Love and Obstacles” published in the New Yorker. Yet the author has something more profound than guessing games and literary puzzles in mind. These eight stories, chronologically sequenced, follow the unnamed narrator from his formative years as an aspiring boy poet (he quotes some lines from a poem titled, naturally, “Love and Obstacles”) through his relocation to Chicago just before the siege of Sarajevo and on to his achievement of some literary accomplishment. The protagonist testifies to the inspiration of Conrad and Rimbaud (he calls The Drunken Boat “my bible”), making more contemporary references to Led Zeppelin and Sonic Youth as well. Throughout, he deals with the challenges of art, the essence of identity and the “merciless passing of time.” He contrasts the loftiness of literature with his experiences as a door-to-door magazine salesman: His blue-collar customers “did not waste their time contemplating the purpose of human life; their years were spent as a tale is told: slowly, steadily, approaching the inexorable end.” Though each is self-contained, the stories benefit from echoes and resonances, recurring themes and characters (particularly the narrator’s parents). Complicated relationships with other artists—an established poet, a documentary filmmaker, a Pulitzer Prize–winning novelist—underscore the twists of truth and fiction, the slippery slopes of memory and identity.
Not as ambitious as The Lazarus Project, but no work by Hemon is a minor effort.Pub Date: May 14, 2009
ISBN: 978-1-59448-864-1
Page Count: 224
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Superb stylist L’Amour returns (End of the Drive, 1997, etc.), albeit posthumously, with ten stories never seen before in book form—and narrated in his usual hard-edged, close-cropped sentences, jutting up from under fierce blue skies. This is the first of four collections of L’Amour material expected from Bantam, edited by his daughter Angelique, featuring an eclectic mix of early historicals and adventure stories set in China, on the high seas, and in the boxing ring, all drawing from the author’s exploits as a carnival barker and from his mysterious and sundry travels. During this period, L’Amour was trying to break away from being a writer only of westerns. Also included is something of an update on Angelique’s progress with her father’s biography: i.e., a stunningly varied list of her father’s acquaintances from around the world whom she’d like to contact for her research. Meanwhile, in the title story here, a missionary’s daughter who crashes in northern Asia during the early years of the Sino-Japanese War is taken captive by a nomadic leader and kept as his wife for 15 years, until his death. When a plane lands, she must choose between taking her teenaged son back to civilization or leaving him alone with the nomads. In “By the Waters of San Tadeo,” set on the southern coast of Chile, Julie Marrat, whose father has just perished, is trapped in San Esteban, a gold field surrounded by impassable mountains, with only one inlet available for anyone’s escape. “Meeting at Falmouth,” a historical, takes place in January 1794 during a dreadful Atlantic storm: “Volleys of rain rattled along the cobblestones like a scattering of broken teeth.” In this a notorious American, unnamed until the last paragraph, helps Talleyrand flee to America. A master storyteller only whets the appetite for his next three volumes.
Pub Date: May 11, 1999
ISBN: 0-553-10963-4
Page Count: 288
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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