Amuses, informs and inspires—then, finally, rips open the heart.

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An acclaimed novelist—winner of a MacArthur Foundation genius grant and finalist for the National Book Award (The Lazarus Project, 2008, etc.)—returns with an affecting memoir about his youth in Sarajevo and his escape and adjustment to the West.

Hemon begins with the birth of his baby sister. He evokes his boyhood jealousy and confusion with honesty and clarity, recalling how he once nearly murdered the infant. When war in the Balkans erupted (once again) in the 1990s, his family eventually fled. His father went to Canada with his wife and the author’s sister in 1993; Hemon had been eking out a living as a journalist in Sarajevo, a city he loved. He maintains an appealing, self-deprecating voice throughout these early chapters, readily recognizing his own delusions and youthful arrogance. He got a chance to visit Chicago for a month in 1992 and didn’t return. The second half of the memoir charts his early struggles in the city and his passions for soccer and chess, passions he was able to release once he found like-minded groups of others. Always a voracious reader (and aficionado of American popular culture), Hemon learned English, taught ESL for a while, then began writing in English, as well. He writes forthrightly about the failure of his first marriage: Something so right, he thought, quickly declined into something bad (shouting matches). But later he met and fell in love with his current wife, who, at the time, was editing a collection to which he was contributing. Hemon’s technique is not conventional—this is no linear boyhood-to-manhood narrative. The chapters, in fact, could in many ways stand alone. But their cumulative emotional power—accelerated by a wrenching final section about the grievous illness of his younger daughter—eventually all but overwhelms.

Amuses, informs and inspires—then, finally, rips open the heart.

Pub Date: March 19, 2013

ISBN: 978-0374115739

Page Count: 224

Publisher: Farrar, Straus and Giroux

Review Posted Online: Dec. 16, 2012

Kirkus Reviews Issue: Jan. 1, 2013

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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