Along the lines of Blexbolex’s Seasons (2010), an immersive visual experience that richly rewards patient attention.
An Italian illustrator makes his U.S. debut with an impressionistic record of an annual cycle along the Po River.
In hundreds of long, narrow, quickly brushed watercolor panels stacked horizontally four per page, Sanna follows a four-season round. Nearly all of the paintings are landscape sections with reeds, stands of poplars or small silhouetted figures of local residents in the foregrounds and vivid, changeable skies blending into the misty river behind. Along with depictions of broad natural rhythms, each seasonal chapter contains several mininarratives—wordless, aside from a few allusive remarks at each section’s opening. They range from preparations and responses to a flood in “Autumn” to a sagra (holy day) carnival in “Spring.” In “Summer,” a melodramatic physical encounter between a plein-air painter and an escaped tiger turns metaphorical at the end. Other visual bonbons for attentive viewers to catch include parallel falls of snowflakes in winter and flower petals in spring, the Nativity-like birth of a calf and even glimpses—twice!—of elephants.
Along the lines of Blexbolex’s Seasons (2010), an immersive visual experience that richly rewards patient attention. (afterword) (Picture book. 6-9, adult)Pub Date: Feb. 27, 2014
ISBN: 978-1-59270-149-0
Page Count: 110
Publisher: Enchanted Lion Books
Review Posted Online: Jan. 21, 2014
Kirkus Reviews Issue: Feb. 1, 2014
The story feels a bit contrived, but Ada will be a welcome addition to the small circle of science-loving girls in the...
Using science and technology, third-grader Ada Lace kicks off her new series by solving a mystery even with her leg in a cast.
Temporarily housebound after a badly executed bungee jump, Ada uses binoculars to document the ecosystem of her new neighborhood in San Francisco. She records her observations in a field journal, a project that intrigues new friend Nina, who lives nearby. When they see that Ms. Reed’s dog, Marguerite, is missing, they leap to the conclusion that it has been stolen. Nina does the legwork and Ada provides the technology for their search for the dognapper. Story-crafting takes a back seat to scene-setting in this series kickoff that introduces the major players. As part of the series formula, science topics and gadgetry are integrated into the stories and further explained in a “Behind the Science” afterword. This installment incorporates drones, a wireless camera, gecko gloves, and the Turing test as well as the concept of an ecosystem. There are no ethnic indicators in the text, but the illustrations reveal that Ada, her family, and bratty neighbor Milton are white; Nina appears to be Southeast Asian; and Mr. Peebles, an inventor who lives nearby, is black.
The story feels a bit contrived, but Ada will be a welcome addition to the small circle of science-loving girls in the chapter-book world. (Fiction. 7-9)Pub Date: Aug. 29, 2017
ISBN: 978-1-4814-8599-9
Page Count: 128
Publisher: Simon & Schuster
Review Posted Online: May 23, 2017
Kirkus Reviews Issue: June 15, 2017
BOOK REVIEW
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...
A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.
Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)Pub Date: April 11, 2017
ISBN: 978-1-5107-2083-1
Page Count: 40
Publisher: Sky Pony Press
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK REVIEW
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