by Alex Alice ; illustrated by Alex Alice ; translated by Anne Smith & Owen Smith ‧ RELEASE DATE: Sept. 12, 2017
Like the best steampunk, this story is one excellent distraction after another, with enough blueprints to hold people’s...
Some people will love this fanciful tale of a 19th-century space race so much they never finish it.
This graphic novel is filled with distractions. Every scene has a new detail to focus on, usually off in the corner of a panel: a watercraft decorated with golden cherubs or an airship shaped like a swan. When one character holds up a book of blueprints (for a craft that travels “through aether”), readers may be tempted to crane their necks to get a better view of the tiny drawings. The artwork, which combines loose pencil outlines with elaborate watercolors, is that spectacular. Many panels could be framed as paintings, and it would be easy to ignore the text and just stare at the pictures of cloud banks. But that would be a mistake, as it’s a terrific adventure story with disguises and air chases and a plot against Bavarian royalty in the late 1800s. The story is full of digressions, though, and the digressions are the best part, as when the main character (a schoolboy named Seraphin) explains why there must be dinosaurs on Venus. In another, the royal architect shows off the orchestra pit on an airship. This is bad science and bad history (and surely not everyone in Bavaria was white), which makes it fantastic steampunk.
Like the best steampunk, this story is one excellent distraction after another, with enough blueprints to hold people’s attention while they’re waiting for Book 2. (Graphic steampunk. 10-16)Pub Date: Sept. 12, 2017
ISBN: 978-1-62672-493-8
Page Count: 64
Publisher: First Second
Review Posted Online: June 26, 2017
Kirkus Reviews Issue: July 15, 2017
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by Alex Alice ; illustrated by Alex Alice ; translated by Anne Smith & Owen Smith
by Alex Alice ; illustrated by Alex Alice ; translated by Anne Smith & Owen Smith
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by Alex Alice ; illustrated by Alex Alice ; translated by Anne Smith & Owen Smith
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by Alex Alice ; illustrated by Alex Alice ; translated by Anne Smith & Owen Smith
by Jerry Craft ; illustrated by Jerry Craft with color by Jim Callahan ‧ RELEASE DATE: Feb. 5, 2019
An engrossing, humorous, and vitally important graphic novel that should be required reading in every middle school in...
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Jordan Banks takes readers down the rabbit hole and into his mostly white prep school in this heartbreakingly accurate middle-grade tale of race, class, microaggressions, and the quest for self-identity.
He may be the new kid, but as an African-American boy from Washington Heights, that stigma entails so much more than getting lost on the way to homeroom. Riverdale Academy Day School, located at the opposite end of Manhattan, is a world away, and Jordan finds himself a stranger in a foreign land, where pink clothing is called salmon, white administrators mistake a veteran African-American teacher for the football coach, and white classmates ape African-American Vernacular English to make themselves sound cool. Jordan’s a gifted artist, and his drawings blend with the narrative to give readers a full sense of his two worlds and his methods of coping with existing in between. Craft skillfully employs the graphic-novel format to its full advantage, giving his readers a delightful and authentic cast of characters who, along with New York itself, pop off the page with vibrancy and nuance. Shrinking Jordan to ant-sized proportions upon his entering the school cafeteria, for instance, transforms the lunchroom into a grotesque Wonderland in which his lack of social standing becomes visually arresting and viscerally uncomfortable.
An engrossing, humorous, and vitally important graphic novel that should be required reading in every middle school in America. (Graphic fiction. 10-14)Pub Date: Feb. 5, 2019
ISBN: 978-0-06-269120-0
Page Count: 256
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
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by Jerry Craft ; illustrated by Jerry Craft
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by Jerry Craft ; illustrated by Jerry Craft
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by Patrik Henry Bass ; illustrated by Jerry Craft
by Deborah Ellis & Anita Doron ; adapted by Shelley Tanaka ‧ RELEASE DATE: Jan. 1, 2018
A rather unsatisfying graphic novel, sure to disappoint fans of Ellis’ book.
A graphic-novel adaptation of Ellis’ heartwarming story of Parvana, a young girl in Afghanistan who cuts her hair and dresses as a boy to earn money for her family when her father is imprisoned by the Taliban.
Adding a layer of remove from the original, this graphic novel is an adaptation of the upcoming film version, and it varies significantly from the original book. Notable deviations include the absence of helpful Mrs. Weera, who provides so much support to Parvana and her family in the original book, and two new details: a grudging former student who tattles on Parvana’s father and Parvana’s solo visit to rescue her imprisoned father. Much story is lost as a result of the numerous deviations, which also sadly promote Western views of Afghanistan, such as rampant corruption and violent men. Even as a stand-alone title for readers not familiar with the book, the storyline is bumpy, moving in fits and starts. At one point, Parvana’s mother decides to abandon Parvana and leave for the neighboring village but then changes her mind midway. Another disappointment is the book cover, which shows Parvana selling chai, something she does not do in either story (although her friend does). The only redeeming factor is the beautiful artwork, stills from the film, with its vivid use of colors to display context, such as use of red for war and black for the Taliban rule.
A rather unsatisfying graphic novel, sure to disappoint fans of Ellis’ book. (Graphic historical fiction. 10-14)Pub Date: Jan. 1, 2018
ISBN: 978-1-77306-118-4
Page Count: 80
Publisher: Groundwood
Review Posted Online: Dec. 2, 2017
Kirkus Reviews Issue: Jan. 1, 2018
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