Readers who enjoyed the first book may remain invested in the fates of the characters. Other people might prefer to look up...
Alice knows a lot about the moon, and most of it isn’t true.
An entire page of this graphic novel, a French import, is devoted to popular historical theories about the moon, and because the story is set in 1870, all of them are wonderfully archaic. “Everyone knows that giant vultures…live on the moon!” one character explains. Another person mentions a scientist who believed the moon was shaped like an egg. These ideas (inspired by Lucian of Samosata and Eratosthenes, among others) are so charming that when the characters actually land on the moon, a few pages later, it’s a bit of a letdown. The landscape is mostly pale, unvarying mountains and caverns, and even though they’re painted beautifully, the story features page after page of hiking. Occasionally, though, the images are just as gorgeous as in the first volume of the series. When the aeronauts come across an orrery (an enormous model of the planets), it’s breathtaking, and the steampunk designs—like a spacesuit with a bird of prey on its breastplate—are always inventive. The prose is less masterful, at least in this translation, with sentences along the lines of, “An ingenious Regnault & Reiset system absorbed harmful gases and replenished the oxygen.” The skin tones of the cast are also mostly pale and unvarying.
Readers who enjoyed the first book may remain invested in the fates of the characters. Other people might prefer to look up archaic stories about the moon. (Graphic steampunk. 10-16)Pub Date: Sept. 4, 2018
ISBN: 978-1-62672-494-5
Page Count: 66
Publisher: First Second
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
BOOK REVIEW
BOOK REVIEW
An engrossing, humorous, and vitally important graphic novel that should be required reading in every middle school in...
Jordan Banks takes readers down the rabbit hole and into his mostly white prep school in this heartbreakingly accurate middle-grade tale of race, class, microaggressions, and the quest for self-identity.
He may be the new kid, but as an African-American boy from Washington Heights, that stigma entails so much more than getting lost on the way to homeroom. Riverdale Academy Day School, located at the opposite end of Manhattan, is a world away, and Jordan finds himself a stranger in a foreign land, where pink clothing is called salmon, white administrators mistake a veteran African-American teacher for the football coach, and white classmates ape African-American Vernacular English to make themselves sound cool. Jordan’s a gifted artist, and his drawings blend with the narrative to give readers a full sense of his two worlds and his methods of coping with existing in between. Craft skillfully employs the graphic-novel format to its full advantage, giving his readers a delightful and authentic cast of characters who, along with New York itself, pop off the page with vibrancy and nuance. Shrinking Jordan to ant-sized proportions upon his entering the school cafeteria, for instance, transforms the lunchroom into a grotesque Wonderland in which his lack of social standing becomes visually arresting and viscerally uncomfortable.
An engrossing, humorous, and vitally important graphic novel that should be required reading in every middle school in America. (Graphic fiction. 10-14)Pub Date: Feb. 5, 2019
ISBN: 978-0-06-269120-0
Page Count: 256
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Readers will cheer her victories, wince at her stumbles, and likely demand visits to the nearest faire themselves to sample...
A home-schooled squireling sallies forth to public school, where the woods turn out to be treacherous and dragons lie in wait.
Imogene Vega has grown up among “faire-mily”; her brown-skinned dad is the resident evil knight at a seasonal Renaissance faire, her lighter-skinned mom is in charge of a gift shop, and other adult friends play various costumed roles. As a freshly minted “squire,” she happily charges into new weekend duties helping at jousts, practicing Elizabethan invective (“Thou lumpish reeling-ripe jolt-head!” “Thou loggerheaded rump-fed giglet!”), and keeping younger visitors entertained. But she loses her way when cast among crowds of strangers in sixth grade. Along with getting off on the wrong foot academically, she not only becomes a target of mockery after clumsy efforts to join a clique go humiliatingly awry, but alienates potential friends (and, later, loving parents and adoring little brother too). Amid stabs of regret she wonders whether she’s more dragon than knight. In her neatly drawn sequential panels, Newbery honoree Jamieson (Roller Girl, 2015) portrays a diverse cast of expressive, naturally posed figures occupying two equally immersive worlds. In the end Imogene wins the day in both, proving the mettle of her brave, decent heart in finding ways to make better choices and chivalric amends for her misdeeds.
Readers will cheer her victories, wince at her stumbles, and likely demand visits to the nearest faire themselves to sample the wares and fun. (Graphic fiction. 10-13)Pub Date: Sept. 5, 2017
ISBN: 978-0-525-42998-2
Page Count: 248
Publisher: Dial Books
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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