A smorgasbord for math fans of all abilities.
An expansive overview of numbers and figures, and those who find them irresistible.
Though he has an Oxford degree in math, former Guardian reporter Bellos (Futebol: Soccer: The Brazilian Way, 2002) approaches the subject as an enthusiastic amateur. He begins at the most basic level, with the concept of number itself, looking at the ways children, tribal cultures and animals deal with the idea of quantity. Perhaps not surprisingly, an ability to recognize which of two trees bears the most fruit seems to predate the ability to count. Cultural differences appear even in mathematically advanced societies, and the conventional system of base ten math is only one of several ways to break up the number system, with binary math probably the best known alternative. For arithmetic, Bellos looks at Japanese abacus experts, who can add columns of numbers faster than a calculator, and the Vedic math promoted by an Indian sect, which offers advanced algorithms for multiplication and other troublesome operations. Geometry also provides plenty of material, from the Pythagorean theorem to origami to the “golden ratio” beloved by architects and artists. A chapter on logarithms leads to a discussion of slide rules, the first choice for scientists and technicians requiring a quick answer until the pocket calculator drove it out of favor. Another chapter provides a lucid discussion of statistics and the famous bell curve. Recreational math gets its due, as well, with nods to Sudoku, Rubik’s Cube and the master puzzler Martin Gardner. The final chapter examines infinities and non-Euclidean geometry. Bellos maintains focus on the people who have created math and who have used it creatively, from the famous Greeks to Renaissance figures like Descartes and Fermat, and 19th-century giants like Gauss and Poincaré. Readers desiring more will find online appendices that treat the concepts more rigorously, with proofs where relevant. However, most readers who remember high-school math can follow the clear and entertaining accounts.
A smorgasbord for math fans of all abilities.Pub Date: June 15, 2010
ISBN: 978-1-4165-8825-2
Page Count: 336
Publisher: Free Press
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: March 15, 2010
BOOK REVIEW
BOOK REVIEW
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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