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THE BEAST

From the Verge series , Vol. 1

This psychological tale offers uncomfortable episodes of violence and sexuality.

In this debut fantasy thriller, four distinct personalities converge to battle a man’s inner demon.

Nick Glaude, a software engineer, is visiting his hometown in Illinois. He wanders past an old schoolyard, reveling in memories, when he encounters a former classmate whom he calls Katherine. She agrees to dinner and then invites him to spend the night at her apartment. Inside, “the Beast that ruled me didn’t even give her time to make up a bed on the couch,” and Nick has sex with the drunk woman. During the night, he slips outside into an alley and acknowledges that he’s just an Ordinary Man. He soon realizes that he shares his body with three other minds from parallel worlds: the Gladiator, the Assassin, and the Pervert. Each of these men has led a life of transgression. They take turns sharing their pasts with Nick, including murder, brutality, and the seduction of teen girls. In the morning, he returns to Katherine’s apartment and finds her with George, her physically abusive ex-boyfriend. The Gladiator takes over Nick’s body, pummels George, and later turns himself over to the cops. At the police station, Nick meets someone whom the Pervert recognizes, Detective Eve Aidan. Is she the key to freeing Nick from the Beast’s influence? In this fractious thriller, Bobrov effectively conjures the viewpoints of Nick’s personalities, offering detailed vignettes with psychological insights. During one of the Assassin’s flashbacks, readers learn that before killing the chosen victim, “a special team followed the person for several weeks and determined the best method of removal.” Scenes centered on the Pervert, and even the opening starring the Ordinary Man, will likely make some readers uneasy (he saw a “huddle of naked and obedient girls ready to serve me and surrender themselves”). Other lines may stop audiences cold, as when the foursome argues mentally over “what was so bad about the Pervert? Who are we to judge Evil?” While valid questions of morality are addressed here, extensive fight scenes and a lingering focus on sexual sins make this a tough read.

This psychological tale offers uncomfortable episodes of violence and sexuality.

Pub Date: Dec. 30, 2016

ISBN: 978-1-5136-1762-6

Page Count: -

Publisher: Movement Publishing

Review Posted Online: March 15, 2017

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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