by Alex Heard ‧ RELEASE DATE: May 11, 2010
Due to the suspicion of Communist intentions at the time, the widely accepted defamation of Hawkins’s character and the...
A thorough revisiting of the 1945 Mississippi black-white rape case that ended in the electric chair.
Determining that there were too many holes in the case against Willie McGee—despite three trials, appeals and public outcry—Outside editorial director Heard (Apocalypse Pretty Soon: Travels in End-Time America, 1999), born in Jackson, Miss., decided to start his investigation from scratch, along the way consulting primary sources, trial transcripts, FBI documents and archived papers. McGee, a black grocery-delivery driver in Laurel, was accused of raping a white married woman and mother of three, Willette Hawkins, after breaking into her home at dawn on Nov. 2, 1945. By Mississippi law, the death penalty could be applied for rape, though only African-Americans had suffered that punishment. Heard wades through reams of obfuscation around the case—much of it concocted by desperate supporters associated with the Civil Rights Congress and McGee’s lawyers, including the young Bella Abzug—alleging that McGee and Hawkins were actually having an illicit affair, that Hawkins might have been pregnant by McGee and that blackmail was involved. To reach a sense of the facts, the author tracked down several of the children of both McGee and Hawkins and exposed some convincing angles, such as that Hawkins was traumatized by the rape, and that McGee’s real wife had been abandoned, while the woman presented to the public as his wife was someone he had only met in jail and corresponded with. Heard does a fine job presenting horrific documentation of the practice of lynching in the South—McGee initially confessed out of terror for his life—and of the general culture of racism perpetrated by Sen. Theodore G. Bilbo and others.
Due to the suspicion of Communist intentions at the time, the widely accepted defamation of Hawkins’s character and the outrageous injustice against blacks systematically practiced in the South, there is no way to discover “what really happened.” However, the author undertakes painstaking detective work to engagingly explore an era of deep-seated racial hatred.Pub Date: May 11, 2010
ISBN: 978-0-06-128415-1
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 14, 2011
Kirkus Reviews Issue: March 15, 2010
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by Alex Heard
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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