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THE FOURTH QUARTER

A spirited, perceptive, and honest look at longevity.

Awards & Accolades

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A writer offers a personal perspective on aging.

In relating the stages of life to the quarters of a business year, Kaufman (On the Road to Halicz, 2016, etc.) appropriately labels his own situation the “fourth quarter,” a time that “is full, rich and a regrouping exercise.” With a certain amount of wistfulness combined with wry humor, the 90-year-old author serves a poignant, wide-ranging, first-person narrative that addresses the physical, emotional, and mental aspects of aging. He also discusses and reacts to some of the subjects that can be both fascinating and perplexing to old and young alike, including artificial intelligence, globalization, and medical technology. Kaufman’s informal style is engaging, especially when he reflects on the realities of aging. He observes, for example, that he is always surprised by “everybody trying not to accept this rusted mechanism called age.” His descriptions can be downright funny when he considers “the little whammies” that happen to the elderly, such as having “a brigade catering to my health….Practically every little piece of me has a specialist.” Behind the humor is insight into the harshness of longevity. He notes, for instance, that “it is puzzling to see the tremendously accumulated” and invaluable “knowledge of the aged being disregarded and squandered.” But later, the author exudes optimism: “Age has its sunny spots too. Lots of them. One of them is to talk to toddlers, children and young people.” These somewhat contradictory pearls of wisdom are representative of a time of life that can be simultaneously hopeful and hopeless, which Kaufman fully acknowledges. While his astute observations make for intellectually stimulating content, this long essay is for the most part a broad conversation that abruptly moves from one subject to another in an almost stream-of-consciousness fashion. The writing is a bit sloppy at times, but it doesn’t mar the author’s sincerity. Kaufman speaks directly to others who are living in the “Fourth Quarter,” and it is hard not to embrace his exhortation to “live it up in any shape and manner.…Go out and start some fires. It is invigorating.”

A spirited, perceptive, and honest look at longevity.

Pub Date: N/A

ISBN: 978-0-578-41715-8

Page Count: -

Publisher: Intervale Publishing

Review Posted Online: March 1, 2019

Kirkus Reviews Issue: April 15, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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