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CONDITIONS OF FAITH

A novel of ideas that suffers from its own good intentions, manipulating a plot that ought to grow more naturally from them.

The Australian Miller’s fifth novel but first to appear here: a well-intended but heavy-handed, plot-driven story of a 1920s woman trapped by motherhood.

Emily, a young Australian who impetuously marries much older Georges Elder, a half-Scot, half-French visiting engineer, wants more from life than hometown Melbourne can deliver. Her father wishes she’d continue her studies at Cambridge, in England, but Emily, finished with learning after taking her degree, thinks that marrying Georges, who is heading back to Paris, might be the solution. Georges, however, obsessed with submitting the winning design for a projected bridge in Sydney, doesn’t pay poor Emily enough attention once they’re back in Paris. She grows lonely and discontented, and, on a visit to her mother-in-law in Chartres, is ready for a barely credible seduction by the priest in charge of the bishop’s fruit in the crypt of the cathedral. Naturally, she finds herself pregnant and, naturally, instead of living the liberated life, feels sick and ugly. Another creaky plot turn brings her to Tunisia on vacation, where she meets a team of archeologists excavating the nearby ruins of Carthage and the prison cell of Perpetua, an early Christian martyr. Encouraged by the archeologists, Emily begins research Perpetua’s life. Back in Paris, determined to continue, she heads each day to the library, though pregnancy makes study difficult. Georges is not happy about her new preoccupation, but Emily is determined to persevere and is invited by the archeologists to work with them in Tunisia. First, though, she must give birth to a baby girl and confront the seducing priest, causing complications, though not for long: Emily soon makes the decisions necessary to a woman whose life must prove a point.

A novel of ideas that suffers from its own good intentions, manipulating a plot that ought to grow more naturally from them.

Pub Date: July 18, 2000

ISBN: 0-684-86935-7

Page Count: 352

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2000

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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