A novel of ideas that suffers from its own good intentions, manipulating a plot that ought to grow more naturally from them.
The Australian Miller’s fifth novel but first to appear here: a well-intended but heavy-handed, plot-driven story of a 1920s woman trapped by motherhood.
Emily, a young Australian who impetuously marries much older Georges Elder, a half-Scot, half-French visiting engineer, wants more from life than hometown Melbourne can deliver. Her father wishes she’d continue her studies at Cambridge, in England, but Emily, finished with learning after taking her degree, thinks that marrying Georges, who is heading back to Paris, might be the solution. Georges, however, obsessed with submitting the winning design for a projected bridge in Sydney, doesn’t pay poor Emily enough attention once they’re back in Paris. She grows lonely and discontented, and, on a visit to her mother-in-law in Chartres, is ready for a barely credible seduction by the priest in charge of the bishop’s fruit in the crypt of the cathedral. Naturally, she finds herself pregnant and, naturally, instead of living the liberated life, feels sick and ugly. Another creaky plot turn brings her to Tunisia on vacation, where she meets a team of archeologists excavating the nearby ruins of Carthage and the prison cell of Perpetua, an early Christian martyr. Encouraged by the archeologists, Emily begins research Perpetua’s life. Back in Paris, determined to continue, she heads each day to the library, though pregnancy makes study difficult. Georges is not happy about her new preoccupation, but Emily is determined to persevere and is invited by the archeologists to work with them in Tunisia. First, though, she must give birth to a baby girl and confront the seducing priest, causing complications, though not for long: Emily soon makes the decisions necessary to a woman whose life must prove a point.
A novel of ideas that suffers from its own good intentions, manipulating a plot that ought to grow more naturally from them.Pub Date: July 18, 2000
ISBN: 0-684-86935-7
Page Count: 352
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
BOOK REVIEW
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...
Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson.
Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty.
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.Pub Date: March 18, 2014
ISBN: 978-1-4767-5316-4
Page Count: 384
Publisher: Atria
Review Posted Online: May 6, 2014
Roberts’ newest is part thriller, part romance, part survivors’ psychological study with a touch of New Age magic—and a...
The victims of a mass shooting—including two young heroes from the tragedy—are moving forward in their lives, affected in different ways, when they're stunned to discover a serial killer is targeting survivors.
Simone Knox and Reed Quartermaine were both survivors of a mass shooting at a mall in Portland, Maine. Afterward, Simone, grateful to be alive, vows to be a better daughter and at first tries to conform to her parents’ conservative expectations. However, she soon realizes she’ll never be happy appeasing them and finally chooses to follow her artistic dreams in order to lead a more authentic life. Reed, inspired by Essie McVee, the first police officer on the scene, becomes a detective, eventually becoming Essie's partner and close friend. Years later, survivors of the massacre begin to die, and Reed is convinced the deaths are connected—but not even Essie takes him seriously until the killer targets him. Reed is wounded but survives, and suddenly everyone believes him. The cunning psychopath escapes into the ether, armed with money, lots of false identification, and a seething desire for revenge. Taking time to heal, Reed visits Tranquility Island, Maine, his childhood vacation spot, and falls in love with the place. He also meets a charismatic older woman who helps him land the house of his dreams and the position of police chief. Falling in love with her granddaughter, Simone—whom he had been aware of since the tragedy but had never met—seems like fate. Reed settles into his new job and hooks up with the FBI regarding the case, convinced their face-off has frustrated the vengeful killer. As heroic survivors, Reed and Simone are prime targets, and now that they’ve found each other, the stakes are higher than ever. Facing the hunter means fighting for their lives, love, and happiness while silencing the violent echoes of the worst day of their lives. Fascinating characters—Simone's grandmother is a standout—and a sprawling plot that covers a lot of ground yet keeps the reader engaged offer a surprisingly compelling and poignant redemption story that begins with a tragic mass shooting.
Roberts’ newest is part thriller, part romance, part survivors’ psychological study with a touch of New Age magic—and a lively, captivating read.Pub Date: May 29, 2018
ISBN: 978-1-250-16159-8
Page Count: 448
Publisher: St. Martin's
Review Posted Online: March 4, 2018
Kirkus Reviews Issue: March 15, 2018
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