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BEIJING RED

A terrific tale for fans of the genre.

A fast-moving, tense biothriller set in China.

Nick Foley is a 28-year-old former Navy SEAL and combat medic who decides that life is “about stewardship, doing something good with the body and mind.” This leads him to do volunteer work on an irrigation project in western China. While he helps dig ditches, a local Uyghur suddenly contracts a horrible disease and dies a grotesque death. Surprisingly to Foley, the illness is not contagious. Soon he’s quarantined and interrogated by the Snow Leopards, a Chinese counterterrorism unit investigating the possibility of bioterrorism. They know about Foley’s past and suspect him of working for the U.S. government. With them is Dr. Chen “Dash” Dazhong, who is, of course, beautiful, of China’s Center for Disease Control. She quickly realizes she can work with Foley to help solve the mystery. Were the disease—if that’s what it is—viral or bacterial, it would trigger an epidemic, but this appears to be targeted. They speculate they’ve witnessed an untraceable weapon being tested in remote China, where supposedly no one cares about the victims. Meanwhile, Maxim Polakov is a Russian spy running a Chinese asset code-named Prizrak. Polakov is very interested in an “entirely new class of weapon” that could kill millions and make him a hero of the new Russia. A number of people die, including a good friend of Dash's. Details aren’t for the squeamish—eyes turn to “gelatinous goo”—but all the violence advances the story. Foley and Dash had better get to the bottom of this menace because it has a 100 percent mortality rate, and the ultimate bad guy says “I am going to turn Beijing red” with his opponents’ blood. An exciting showdown takes place in Beijing’s Underground City, a real Cold War creation of Mao Zedong.

A terrific tale for fans of the genre.

Pub Date: May 10, 2016

ISBN: 978-1-62953-594-4

Page Count: 304

Publisher: Crooked Lane

Review Posted Online: Feb. 17, 2016

Kirkus Reviews Issue: March 1, 2016

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DRAGON TEETH

Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...

In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.

William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.

Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.

Pub Date: May 23, 2017

ISBN: 978-0-06-247335-6

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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  • Kirkus Reviews'
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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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  • Kirkus Reviews'
    Best Books Of 2015


  • New York Times Bestseller

Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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