by Alex T. Smith ; illustrated by Alex T. Smith ‧ RELEASE DATE: July 26, 2016
Great storytelling braided with lively color and a culturally affirming accent makes this book a real standout.
In this modern reweaving of “Little Red Riding Hood” set on a modern, fanciful African savanna, readers meet a young, black Little Red who gracefully outwits the more-hungry-than-horrifying Lion.
The Lion imagines his “very-clever-plan” to sneak off to a spots-afflicted Auntie Rosie’s house to solve his grumbling tummy, just in time for Little Red to arrive. But of course, the perceptive Little Red instantly notices that the muumuu-clad Lion is not her Auntie Rosie. She forms her own plan to teach the naughty Lion a lesson. She heads first for the Lion’s unkempt mane with brush and comb, magically transforming it into a “lovely new look,” complete with pink bow-tie barrettes. Those pink bow ties inspire Little Red to find a much prettier dress for him to wear than the muumuu. The annoyed, fed-up Lion bellows his hunger only to be confronted with Little Red’s wagging finger as she explains in quick, calming, decisive fashion, “Well, trying to eat children and aunties is VERY naughty. If you were hungry, all you had to do was ask for some food.” They reconcile their relationship swiftly with a box of doughnuts as the tale comes to a close. Wonderful, jazzy illustrations feature brilliant oranges, yellows, and pinks underscored by vivid, playful language to add to the intrigue. Little Red is a mite with a red dress and two spectacular pigtails.
Great storytelling braided with lively color and a culturally affirming accent makes this book a real standout. (Picture book. 4-8)Pub Date: July 26, 2016
ISBN: 978-0-545-91438-3
Page Count: 32
Publisher: Scholastic
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
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by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Mac Barnett ; illustrated by Carson Ellis
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by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 1, 2015
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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by Amy Krouse Rosenthal & Christy Webster ; illustrated by Brigette Barrager & Chiara Fiorentino
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by Tom Lichtenheld & Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld
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by Amy Krouse Rosenthal ; illustrated by Mike Yamada
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