Top-drawer, custom-tailored life of actor Rex Harrison, whose charm dynamited many a lady's heart while his towering tongue whipped her. By far the best of Walker's many books (Garbo, Dietrich, Elizabeth, etc.) and the best about Harrison (including the actor's own amusing but lightweight autobiography A Damned Serious Business, 1991), this presents itself in finely cut anecdotes and textured language that Harrison himself might have admired. Like Cary Grant, Harrison (1908-90) grew into his stage and screen persona so remarkably that one forgets he was not always a lady- killing swine—though he did take to acting at age four and became a monocle-wearing fop at 18. Harrison also took to girls very early, and as a child liked swimming nude in secret with a girl neighbor. He distanced himself from his father, modelling himself on his mother. Harrison played endless walk-ons and minor roles with the Liverpool Repertory Theatre, and he began imitating the casual by-play of ``personality actors'' who could dominate the stage no matter how bad their lines. Movie bits led to film and stage leads and at last to the film version of Shaw's Major Barbara. Harrison was never a light comedian, always playing high comedy, and Shaw became the centerpost of a career crowned by his role in Heartbreak House: The actor cared little for his films. His love life and six wives take up major space here, along with the suicides of lover Carol Landis and ex-wife Rachel Roberts, his cruelly rampant infidelities, and the glory of his unshakable snobbery. Tyrannosaurus Rex, tricked out in imperial purple. (B&w illustrations—not seen)

Pub Date: July 22, 1993

ISBN: 0-312-09284-9

Page Count: 480

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 1993

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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