TOMB SWEEPING

The author of Days of Distraction (2020) explores timeless themes in short fiction.

Unemployed after being replaced by a piece of software, a woman in her 30s is burning through her severance pay, spending her days eating weed gummies and binge-watching dating shows. When a former co-worker steers a housesitting gig her way, she finds the idea of an “escape into someone else’s house, someone else’s life” attractive. This job takes her to a secluded home in the hills owned by a couple embarking on a trip to Portugal. Our narrator is free to enjoy the home’s amenities—meditation room, swimming pool, Peloton, professional espresso machine—as long as she agrees to stay out of the wife’s painting studio and a dilapidated shed. Despite the contemporary details, this is a perfect setup for a gothic tale, and Chang delivers a story in which the unexplained takes on the power to chill because of how it occurs within the quotidian abnormality of extreme privilege. This story, “Unknown by Unknown,” is the first in the collection, and it is far and away the best. The title story is also very good. In it, a series of rituals meant to honor ancestors forces a young girl to reckon with a massacre that occurred long before she was born—a massacre that her now-dead grandfather had tried to make her understand. The rest of the stories presented here are substantially less satisfying. Chang’s debut novel was brilliantly executed. Most of the works we see here feel like warm-up exercises or not entirely successful experiments. The author seems to have a particular aversion to—or difficulty with—endings. The openness at the end of “Unknown by Unknown” feels both scary and weirdly thrilling. Elsewhere, though, stories end at a moment that is maybe supposed to seem portentous but comes across as arbitrary.

An uneven collection from an exciting young author.