In the iconic words of R.E.M., “It’s the end of the world as we know it,” and this smart, surprisingly feel-good,...
As a mile-wide asteroid hurtles toward Earth, Coutts (Wishful Thinking, 2011) takes readers to an island off the coast of Massachusetts, where three courageous teens make the most of what little time they have left.
A suicide survivor searches for a place to belong. A young man confronts the father he never knew and questions the true meaning of family. And a broken-hearted young woman journeys in search of truth and forgiveness. While there are moments of overlap, the teens’ individual stories form the backbone and the heart of this book. Despite this compelling premise, the novel isn’t without a blemish or two. Sections of the story drag (which is both surprising and frustrating, given the apocalyptic nature of the plot), and while readers will likely suspend disbelief to a point, there are moments where it is impossible not to question how these teens can be so calm and self-possessed with only days left to live. That said, this is a well-crafted story with compelling characters that will appeal to a wide variety of readers. But what makes it truly special is that, despite its premise, this book manages to be more about beginnings than the inevitable end.
In the iconic words of R.E.M., “It’s the end of the world as we know it,” and this smart, surprisingly feel-good, end-of-days novel is indeed…fine. (Fiction. 14 & up)Pub Date: Sept. 17, 2013
ISBN: 978-0-374-37861-5
Page Count: 384
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: July 15, 2013
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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