by Alexandra Wallner & illustrated by John Wallner ‧ RELEASE DATE: Aug. 1, 2011
Beguiling art props up a profile that reads like a school report.
A quick life of the great fantasist is given wings by allusive painted illustrations.
Aimed at children who know The Hobbit but aren’t quite up to tackling it on their own, the narrative takes “Ronald” from birth in South Africa through transplantation to England, experiences in World War I and postwar life up to the publication of Lord of the Rings. The selection of detail isn’t particularly discriminating. Intriguing information such as the famous anecdote about how the first line of The Hobbit popped into his head out of nowhere or notes about Gandalf’s origin and a relative’s farm called “Bag’s End” is interspersed with eye-glazing references to childhood changes of address or the formation of the Tolkien Society. The art provides a more studied route into the author’s imagination and achievements. Prettily rendered in soft lines and muted colors, it’s framed as a winding board game decorated with thematic words, depictions of elves and dragons, views of the author and his family at various ages, simple codes and highlighted scenes, all capped by facing portraits of Tolkien (“I am in fact a hobbit in all but size”) and Bilbo Baggins.
Beguiling art props up a profile that reads like a school report. (timeline, bibliography, notes) (Picture book/biography. 7-9)Pub Date: Aug. 1, 2011
ISBN: 978-0-8234-1951-7
Page Count: 32
Publisher: Holiday House
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
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by Cheryl Harness ; illustrated by Carlo Molinari ‧ RELEASE DATE: April 1, 2013
Despite awkwardness, this is a welcome window into an important American life
Pants: Women were not supposed to wear them.
Mary Walker not only got her medical degree in 1855, but found it much easier to do her work dressed smartly in men’s trousers and tailored jacket. She was not accepted in the Union Army at first, but as an unpaid hospital volunteer, she tended the Civil War sick and wounded in Washington, D.C., and field hospitals. She was finally commissioned in late 1863, then captured and imprisoned by the Confederates. She was exchanged for a Confederate officer, and in 1866, she was given the Medal of Honor, the first and only woman to receive it. Harness tries valiantly to work this complicated story into one comprehensible for the early grades, but it makes for some difficult phrasing. Calling her, as some did, a “pesky camp follower” has very negative implications that adults, at least, will get. “Many Americans, especially in the South, firmly believed that enslaving people from Africa was a normal thing to do,” is an awkward encapsulation of the reason for the Civil War. Molinari’s images are richly colored and drawn in an old-fashioned but very compatible style and do a lot toward fleshing out the text.
Despite awkwardness, this is a welcome window into an important American life . (Picture book/biography. 7-9)Pub Date: April 1, 2013
ISBN: 978-0-8075-4990-2
Page Count: 32
Publisher: Whitman
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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by Julie Cummins & illustrated by Cheryl Harness
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by Kathleen Krull ; Paul Brewer ; illustrated by Stacy Innerst ‧ RELEASE DATE: May 14, 2013
Parents and (more likely) grandparents who want to introduce children to their favorite band would do better to play a song...
Many adult readers will agree wholeheartedly with the title of this heartfelt paean to the Fab Four, but unfortunately, Krull and Brewer don’t quite manage to offer enough evidence to effectively convey to children the Beatles’ unique appeal and immense contributions to pop culture.
The narrative is straightforward. From their early years in Liverpool through their first big hit, the rapturous response they received in the U.S. and their eventual decision to go their separate ways, the trajectory of the Beatles’ incredible success is clearly plotted. Quirky details suggest that serious research informs the text. Unfortunately some sweeping statements may leave young listeners wondering just why the Beatles were considered “so cool, so funny, so fab.” Innerst’s accomplished acrylic-and-ink illustrations also seem more geared toward nostalgic adults. Exaggerated features and odd perspectives abound. Visual jokes and references enrich the paintings and extend the text, as when the band appears on a roller coaster formed by a guitar case plastered with stickers, but will almost certainly go over the heads of the intended audience.
Parents and (more likely) grandparents who want to introduce children to their favorite band would do better to play a song or two on whatever device is handy—though as Brewer and Krull note, the transformative impact of the Beatles was such that kids may not even recognize the originality of their music. (Informational picture book. 7-9)Pub Date: May 14, 2013
ISBN: 978-0-547-50991-4
Page Count: 40
Publisher: Harcourt
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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