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THE FACT OF A BODY

A MURDER AND A MEMOIR

A powerful evocation of the raw pain of emotional scars.

An accomplished literary debut weaves memoir and true-crime investigation.

Essayist and lawyer Marzano-Lesnevich (Writing/Harvard Kennedy School of Government) fashions an absorbing narrative about secrets, pain, revenge, and, ultimately, the slippery notion of truth. In 2003, working as a summer intern at a Louisiana law firm that defends clients sentenced to death, the author discovered the case of a child’s murder by a confessed pedophile. Passionately opposed to capital punishment, she realized that she wanted this client to die. That response—unsettling and unexpected—incited an interest in the case that became nothing less than an obsession. For 10 years, she read 30,000 pages of documents, including court transcripts, newspaper coverage, and a play based on interviews with the victim’s mother; watched the killer’s taped confessions from three trials; and traveled multiple times to Louisiana. That fixation inflames another investigation, as well, into her own troubling past. “I am pulled to this story by absences,” she writes. “Strange blacknesses, strange forgettings, that overtake me at times. They reveal what is still unresolved inside me.” With care and pacing that is sometimes too deliberate, the author reveals the blacknesses in her own family: her father, a successful lawyer, succumbed to rage and depressions; her mother, also a lawyer, was stubbornly silent about her past; the author learns that she was not a twin but really a triplet, with a sister who died within months, never mentioned by the family; and, most horrifically, her grandfather sexually abused her and her younger sister for years. When Marzano-Lesnevich finally revealed the abuse to her parents, they buried it, refusing to acknowledge her pain even when she became severely depressed and anorexic. Her family members, she realizes now, were “prisoners” of their own triumphant narrative: children of immigrants, they were living the American dream, “determinedly fine.” The author admits that she has “layered my imagination” onto her sources to make her characters vivid, inevitably raising questions about the line between nonfiction and fiction and about how such embellishment can manipulate the reader’s perceptions and sympathies.

A powerful evocation of the raw pain of emotional scars.

Pub Date: May 16, 2017

ISBN: 978-1-250-08054-7

Page Count: 336

Publisher: Flatiron Books

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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LICENSED TO LIE

EXPOSING CORRUPTION IN THE DEPARTMENT OF JUSTICE

The author brings the case for judicial redress before the court of public opinion.

A former Justice Department lawyer, who now devotes her private practice to federal appeals, dissects some of the most politically contentious prosecutions of the last 15 years.

Powell assembles a stunning argument for the old adage, “nothing succeeds like failure,” as she traces the careers of a group of prosecutors who were part of the Enron Task Force. The Supreme Court overturned their most dramatic court victories, and some were even accused of systematic prosecutorial misconduct. Yet former task force members such as Kathryn Ruemmler, Matthew Friedrich and Andrew Weissman continued to climb upward through the ranks and currently hold high positions in the Justice Department, FBI and even the White House. Powell took up the appeal of a Merrill Lynch employee who was convicted in one of the subsidiary Enron cases, fighting for six years to clear his name. The pattern of abuse she found was repeated in other cases brought by the task force. Prosecutors of the accounting firm Arthur Andersen pieced together parts of different statutes to concoct a crime and eliminated criminal intent from the jury instructions, which required the Supreme Court to reverse the Andersen conviction 9-0; the company was forcibly closed with the loss of 85,000 jobs. In the corruption trial of former Alaska Sen. Ted Stevens, a key witness was intimidated into presenting false testimony, and as in the Merrill Lynch case, the prosecutors concealed exculpatory evidence from the defense, a violation of due process under the Supreme court’s 1963 Brady v. Maryland decision. Stevens’ conviction, which led to a narrow loss in his 2008 re-election campaign and impacted the majority makeup of the Senate, seems to have been the straw that broke the camel's back; the presiding judge appointed a special prosecutor to investigate abuses. Confronted with the need to clean house as he came into office, writes Powell, Attorney General Eric Holder has yet to take action.

The author brings the case for judicial redress before the court of public opinion.

Pub Date: May 1, 2014

ISBN: 978-1-61254-149-5

Page Count: 456

Publisher: Brown Books

Review Posted Online: April 29, 2014

Kirkus Reviews Issue: May 1, 2014

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