by Alexis Bunten ‧ RELEASE DATE: March 1, 2015
This “Tour Guide Confidential” just doesn’t have quite the same zest as other memoirs of this nature.
A memoir about working as a cultural tour guide in rural Alaska.
This remembrance of working briefly as a guide in remote Alaska may prove a bit too academic for biography fans and a bit too straightforward to intrigue the literary crowd. Now an anthropologist (more properly, a “project ethnographer”) at Simon Fraser University, Bunten wrote this diary of sorts while she was studying for her doctorate at UCLA. There, she discovered the ferocious system that guides students to certain inevitable ends. “This brand of liberal, elite discrimination disguised as privilege followed me to graduate school,” she writes, “where my advisers in the anthropology department insisted that because I’m Alaska Native, I would have to conduct original research in Alaska….Working for a tribe I’m not related to, in a place I’ve never lived, would have to be proxy for ‘real’ anthropology, the kind where the intrepid explorer travels to an exotic destination to live among strangers in a strange land.” Bunten landed a job with Tribal Tours, a small company in Sitka, Alaska, that focuses on the multifaceted Tlingit people. From here, she walks readers through the strange process of being a tour guide, which includes catering to mobs of ill-informed cruise-ship passengers, cracking bad jokes to skirt issues like cultural genocide, and developing an alternative persona to deal with questions like, “Do you live in a house?” There is also a lot of history, cultural anthropology and a little self-searching about her place among a people who only loosely share her heritage, as well as working in a business that is torn between the economic realities of tourism and the desire to offer visitors a genuine experience that reflects the nature of the Tlingit people. Bunten provides some value for invested readers, but generalists may find this equivalent to reading an intern’s autobiography.
This “Tour Guide Confidential” just doesn’t have quite the same zest as other memoirs of this nature.Pub Date: March 1, 2015
ISBN: 978-0-8032-3462-8
Page Count: 260
Publisher: Univ. of Nebraska
Review Posted Online: Dec. 12, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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