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ENEMIES IN LOVE

A GERMAN POW, A BLACK NURSE, AND AN UNLIKELY ROMANCE

A footnote in the vast literature of civil rights, but a resonant one.

An African-American nurse experiences racism in two nations driven apart by war.

Elinor Powell earned a nursing degree in 1943 and joined the U.S. Army the following year, determined to do her part for the war effort. She was sent to Arizona to complete her basic training and then posted to a German prisoner-of-war camp in the desert south of Phoenix. There, Elinor met Frederick Albert, an English-speaking German with a learned interest in the jazz music that had been banned by the Hitler regime. Frederick, writes freelance journalist Clark, was a man of many parts, an artist and intellectual who opposed Hitler but joined the army all the same. He claimed to have been a combat soldier captured in Italy, but the paperwork Clark turns up suggests that he was instead a medical corpsman taken prisoner in North Africa. “The most reasonable explanation was that in an attempt to impress his children, Frederick told them that he was an elite paratrooper,” writes the author. Whatever the case, those children resulted from the ardent romance Elinor and Frederick struck up in that Arizona camp and continued after the war, moving a step ahead of Jim Crow laws and finally, after marrying in New York, returning for a time to Germany, where their young children experienced a racism of a different kind and degree from that they would have to endure back home. “Focusing on prejudice could have destroyed their relationship,” writes Clark, “since it seemed that the world was against them.” Yet their relationship prevailed even when it developed that Frederick had a different notion of faithfulness from Elinor’s, and they did what they could to shield their children—one of whom grew up to be a professional jazz trumpeter—from the worst of the bigotry they encountered in two lands.

A footnote in the vast literature of civil rights, but a resonant one.

Pub Date: May 15, 2018

ISBN: 978-1-62097-186-4

Page Count: 272

Publisher: The New Press

Review Posted Online: March 4, 2018

Kirkus Reviews Issue: March 15, 2018

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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