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ENEMIES IN LOVE

A GERMAN POW, A BLACK NURSE, AND AN UNLIKELY ROMANCE

A footnote in the vast literature of civil rights, but a resonant one.

An African-American nurse experiences racism in two nations driven apart by war.

Elinor Powell earned a nursing degree in 1943 and joined the U.S. Army the following year, determined to do her part for the war effort. She was sent to Arizona to complete her basic training and then posted to a German prisoner-of-war camp in the desert south of Phoenix. There, Elinor met Frederick Albert, an English-speaking German with a learned interest in the jazz music that had been banned by the Hitler regime. Frederick, writes freelance journalist Clark, was a man of many parts, an artist and intellectual who opposed Hitler but joined the army all the same. He claimed to have been a combat soldier captured in Italy, but the paperwork Clark turns up suggests that he was instead a medical corpsman taken prisoner in North Africa. “The most reasonable explanation was that in an attempt to impress his children, Frederick told them that he was an elite paratrooper,” writes the author. Whatever the case, those children resulted from the ardent romance Elinor and Frederick struck up in that Arizona camp and continued after the war, moving a step ahead of Jim Crow laws and finally, after marrying in New York, returning for a time to Germany, where their young children experienced a racism of a different kind and degree from that they would have to endure back home. “Focusing on prejudice could have destroyed their relationship,” writes Clark, “since it seemed that the world was against them.” Yet their relationship prevailed even when it developed that Frederick had a different notion of faithfulness from Elinor’s, and they did what they could to shield their children—one of whom grew up to be a professional jazz trumpeter—from the worst of the bigotry they encountered in two lands.

A footnote in the vast literature of civil rights, but a resonant one.

Pub Date: May 15, 2018

ISBN: 978-1-62097-186-4

Page Count: 272

Publisher: The New Press

Review Posted Online: March 4, 2018

Kirkus Reviews Issue: March 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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