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YOU HAD ME AT HOLA

Sexy, compelling, and complex—a terrific romance from a rising star of the genre.

An actress on an upward career trajectory falls in love with her leading man.

Jasmine Lin Rodriguez moves home to New York for an unbelievable chance: After years as a soap opera actress, she is offered the lead role in Carmen in Charge, which will air on a popular streaming service. The timing couldn’t be better—after she was painfully and publicly dumped by her musician boyfriend, the tabloids have painted her as a loser in love. Jasmine promises herself that she'll avoid romantic entanglements and focus on her career, but that proves difficult since she’s wildly attracted to her new co-star, telenovela heartthrob Ashton Suarez. Ashton has two goals: achieving mainstream Hollywood stardom and keeping the paparazzi from discovering his 8-year-old son, Yadiel, who lives with Ashton’s family in Puerto Rico. When Yadi was just a baby, a stalker broke into their home; Ashton was so terrified for his son’s safety that he moved the boy to live with his parents and cut himself off from the press. He studiously avoids his attraction to Jasmine—she’s a paparazzi magnet, and he will do anything to avoid the spotlight. However, as work on the show continues, they give in to their undeniable attraction. Ashton and Jasmine are imperfect but fully realized characters, and their differences aren’t easily solved. Daria makes the unusual narrative choice of writing some chapters from the point of view of the Carmen in Charge characters, but it pays off by cleverly illuminating the emotional journey of Jasmine and Ashton’s own romance.

Sexy, compelling, and complex—a terrific romance from a rising star of the genre.

Pub Date: Aug. 4, 2020

ISBN: 978-0-06-295992-8

Page Count: 384

Publisher: Avon/HarperCollins

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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THE RULE BOOK

Haphazard and undemanding.

A sports agent’s first official client is the man she dumped years ago in college.

After two years of hard work as an underling, Nora Mackenzie is finally being promoted to full-time sports agent. She’s worked hard, kept quiet, and allowed men in the office to call her Mac—a nickname she hates—all to show she’s a team player and “one of the guys.” Unfortunately, her boss instructs her to sign Derek Pender, a football player coming off an injury, who happens to be the man she heartlessly dumped in their senior year of college. Derek signs with her for revenge, seeing it as his opportunity to pay Nora back for callously breaking his heart eight years earlier. He insists she be at his beck and call: answering his emails, running his errands, cooking dinner for his dates. He also refuses to let her explain why she broke up with him without warning or explanation. Nora feels she has no choice but to acquiesce to Derek’s humiliating demands, since she’s worked too hard to let him ruin her dream job. She hopes he’ll thaw and they might become friends, but Derek’s bad behavior is designed to hide the fact that he’s still in love with her. Nora’s characterization is uneven, veering between anger at how she’s treated in the male-dominated field to immature bickering and bantering with Derek. Although Adams likely meant for Derek and Nora’s interactions to have an enemies-to-lovers vibe, the characters instead seem juvenile and stuck in the past. The novel is fueled by a string of tropes—second chance romance! married in Vegas! only one bed!—each randomly deployed to keep the book going despite thin characterization and wan plotting.

Haphazard and undemanding.

Pub Date: April 2, 2024

ISBN: 9780593723678

Page Count: 368

Publisher: Dell

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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