Tender, funny, and touching: a fitting close to an admirable career.

AFTER THE WAR

In her elegiac final novel, the late Adams picks up the story of Cynthia and Harry Baird where she left off in A Southern Exposure (1995).

It’s now August 1944, and Cynthia is home in Pinehill, the southern college town to which the couple relocated during the Depression. Harry, a naval officer, is stationed in London; daughter Abigail is about to start at Swarthmore. The opening scene, a party for Abigail and her Radcliffe-bound friend Melanctha Byrd, sets the stage with Adams's customary deftness. Cynthia is having an affair with war correspondent Derek McFall, who is “not in love with her, not at all.” Her maid Odessa, a stately black woman whose husband is also in the Navy, likes Cynthia but has little use for “her supposed best friend” Dolly Bigelow, a near-caricature of the bigoted southern belle who later proves to be not quite as dumb or prejudiced as she seems. Melanctha's father, alcoholic poet James Russell Lowell Byrd, and his much younger second wife, Deirdre, are among the other locals in attendance as readers absorb the town's ingrown, gossipy nature. Up north, meanwhile, Abigail falls in love with James Marcus, son of New York Jewish communists satirized with wicked accuracy as straitjacketed by their world's conventions just as tightly Cynthia's southern neighbors. Despite a plethora of love affairs and two deaths, almost everyone is essentially marking time, aware that America will be dramatically different “after the war.” The story closes two years later with a wedding. Most of the characters (depicted with Adams's trademark sensitivity) have made meaningful changes in their lives; even Cynthia and Harry's complex marriage seems to be healing after a rocky reunion. As in most of Adams's fiction, the quiet narrative concerns itself less with political issues (though white racism is a constant subtext) than with personal struggles, which coalesce to create an overall atmosphere of a slightly anxious yet always eager embrace of life's possibilities.

Tender, funny, and touching: a fitting close to an admirable career.

Pub Date: Sept. 26, 2000

ISBN: 0-375-40683-2

Page Count: 320

Publisher: Knopf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 2000

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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