A historical novel based on the real life of a 19th-century spiritualist feminist.
Allan (Addie, 2011) has spent the last few years researching and writing about the life of Addie Ballou, a poet in the late 1800s. More than anything, she says, her scholarship has led her to conclude that “the personal stories of women [have] been left untold and at a minimum misunderstood....[U]nspeakable secrets went with them to their graves.” Readers first meet Addie as she returns home from supporting the Union during the Civil War as a battlefield nurse while her husband was off fighting as a soldier. When she arrives, she finds that he disrespects her and is cruel to their children and that his family despises her. She becomes determined to live as independently as possible within the confines of her situation. Fully entrenched in the spiritualist movement, she gains some agency by lecturing across the Midwest and writing poetry for spiritualist publications, but it’s not enough: She’s not allowed any claim to her earnings, and her husband still rules the roost at home. Eventually, she takes her infant daughter and leaves her husband and her young sons, setting out on a path of spiritualism, suffrage and sovereignty. The path isn’t easy, though, as there are some marital reconciliations and legal obstacles Addie must navigate in order to finally get a divorce. Allan’s dedication to highlighting the life of an early proponent of women’s rights is admirable. Spiritualist researchers will be grateful for Allan’s thoroughly researched work (inspired, she says, by Addie’s original diaries). Newcomers to the subject matter may also find Addie’s journey interesting, if not inspirational. Overall, it’s not an especially exciting story: A pattern develops of Addie traveling somewhere to lecture, staying at someone’s house, getting advice from them and then traveling again. As a result, the scenes end up blurring together. The prose is a bit inconsistent; it’s either overwritten (“Addie suddenly saw clarity in the woman’s heretofore rambling collection of data expressed in her dialogue”) or too sparse (“There. It was said. The accusation made”). The terms of spiritualism also aren’t clearly defined, despite a brief introduction before the novel begins.
Although Ballou’s odds don’t feel insurmountable in this uneven tale, readers will likely applaud her determination as she undertakes her journey to freedom.Pub Date: Sept. 27, 2014
ISBN: 978-1499575538
Page Count: 318
Publisher: CreateSpace
Review Posted Online: Oct. 20, 2014
Review Program: Kirkus Indie
Categories: HISTORICAL FICTION | GENERAL FICTION
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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
Categories: LITERARY FICTION | HISTORICAL FICTION
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Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Categories: LITERARY FICTION | HISTORICAL FICTION
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