A beautiful story of love and kinship, so needed for the many children living apart from their nuclear families.
Because Carol Oliva Clementine cannot live with Mommy and Daddy, the child lives with Mama Rose.
Carol Oliva Clementine, a light-brown–skinned child with a sandy-red afro puff, describes life with Mama Rose, a dark-skinned black woman. Readers don’t learn why Carol Oliva Clementine came to live with Mama Rose. While readers also aren’t told how long they’ve lived together, Carol Oliva Clementine describes two birthdays with Mama Rose: the fifth, when the child received a watch and learned to tell time, and the sixth, when Mama Rose gave her little one a yellow bicycle. Carol Olivia Clementine is presented as a happy and carefree little child who misses Mommy and Daddy but is also happy to live with Mama Rose, who lovingly calls the child Lady Bug. The illustrations are bright and playful, conveying the deep warmth of affection between the two. One spread in which Mama Rose does her charge’s hair and then swaddles Carol Olivia Clementine for winter play bears out the truth of the title. It is curious, however, that Carol Olivia Clementine and Mama Rose wear the same clothing throughout the book even though multiple seasons pass. In an author’s note, Duncan tells of her own experience with a kinship adoption.
A beautiful story of love and kinship, so needed for the many children living apart from their nuclear families. (Picture book. 3-6)Pub Date: Jan. 14, 2020
ISBN: 978-1-5344-6183-3
Page Count: 40
Publisher: Denene Millner Books/Simon & Schuster
Review Posted Online: Oct. 26, 2019
Kirkus Reviews Issue: Nov. 15, 2019
PERSPECTIVES
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
A visually striking, engaging picture book that sends the message that everyone counts.
A playful counting book also acts as a celebration of family and human diversity.
Shannon’s text is delivered in spare, rhythmic, lilting verse that begins with one and counts up to 10 as it presents different groupings of things and people in individual families, always emphasizing the unitary nature of each combination. “One is six. One line of laundry. One butterfly’s legs. One family.” Gomez’s richly colored pictures clarify and expand on all that the text lists: For “six,” a picture showing six members of a multigenerational family of color includes a line of laundry with six items hanging from it outside of their windows, as well as the painting of a six-legged butterfly that a child in the family is creating. While text never directs the art to depict diverse individuals and family constellations, Gomez does just this in her illustrations. Interracial families are included, as are depictions of men with their arms around each other, and a Sikh man wearing a turban. This inclusive spirit supports the text’s culminating assertion that “One is one and everyone. One earth. One world. One family.”
A visually striking, engaging picture book that sends the message that everyone counts. (Picture book. 3-6)Pub Date: May 26, 2015
ISBN: 978-0-374-30003-6
Page Count: 32
Publisher: Frances Foster/Farrar, Straus & Giroux
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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