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BLUE DIARY

A welcome return to top form by a gifted, popular author.

A small-town hero with a criminal past raises unsettling questions about guilt and trust, in this unsparing new novel by Hoffman (The River King, 2000, etc.).

Everyone in Monroe, Massachusetts, adores Ethan Ford. He’s the town’s most reliable contractor, a supportive Little League coach, and a life-saving member of the volunteer fire department. He and his wife of 13 years, Jorie, are still so in love that they’ve tumbled back into bed on the June morning when the local sheriff rings the bell to arrest him on a 15-year-old murder charge. Ethan freely admits it. “The way he sees it the truth is a simple thing: He is not the same man any more.” The self-obsessed, violent drifter who raped and killed Rachel Morris became another person after that night, asserts Ethan, and enough people in Monroe agree to form an ardent defense committee, including sexy Rosarie Williams, casual breaker of teenage boys’ hearts, who thinks Ethan is her dream lover. But Rosarie’s 12-year-old sister, Kat, who recognized Ethan’s photo on TV and turned him in, is not the only person who thinks guilt can’t be shed so easily. His son, Collie, doesn’t even want to see him, and Jorie reels from the knowledge that her life has been founded on a lie. When she goes to Maryland to confront what Ethan did, the victim’s bitter younger brother reminds her, “My sister never had the chance to be a different woman” and gives her Rachel’s blue diary to drive home his point. Ethan’s claims of repentance and redemption come to seem much too glib as Hoffman skillfully spins a disciplined narrative (the whimsy and the descriptions of nature for once held in check) focused on the struggles of Monroe’s stunned residents to make sense of this abrupt fissure in their accepted reality. Hopeful developments for the strong supporting characters prevent the story from seeming entirely grim, but the final decisions made by Jorie and others suggest that forgiveness should not be lightly given—or requested.

A welcome return to top form by a gifted, popular author.

Pub Date: Aug. 1, 2001

ISBN: 0-399-14802-7

Page Count: 336

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2001

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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