by Alice Hoffman ‧ RELEASE DATE: Feb. 9, 1994
There's always been a kind of primal undercurrent in Hoffman's love stories—a pulse of feeling as mysterious and inevitable as the moon-besotted turtles who clamber out of the sea to lay their eggs once a year. In her tenth novel, a latter-day Beauty and the Beast, this pulse is as powerful as a drumbeat—it draws you in and frightens you at the same time. Stephen is not your everyday beast. He's an attractive and intelligent man who happens to have been a feral child, raised by wolves and then returned, unwillingly, to civilization. When Robin Moore chances upon him in a hospital corridor, it's as if she's fallen under a spell. She could never explain it, she just has to rescue him, spiriting him back to the house she shares with her teenaged son in a small island community near N.Y.C. But it's difficult to keep secrets in a small community. Robin and Stephen quickly find themselves the objects of rumor and scrutiny from nosy neighbors, from Robin's estranged husband, Roy, who's a member of the police force, from just about anybody who has a window to spy out of. Tensions mount and, when tragedy strikes on the island, its aftermath comes as no surprise. Hoffman's foreshadowing is laid on a little thick here, but, by the close, events don't seem so much predictable as predestined in the way of a myth or a good fairy tale, made just spooky enough by that steady, distant drumbeat. Once again, Hoffman (Turtle Moon, 1992, etc.) stirs up the unlikely with the ordinary and seasons it, expertly, deliciously, with our darkest desires—her fans should wolf it down. (Literary Guild Dual Selection for May)
Pub Date: Feb. 9, 1994
ISBN: 0-399-13908-7
Page Count: 256
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 1993
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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