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SPOOKY STORIES FOR A DARK AND STORMY NIGHT

Low (The Family Read-Aloud Christmas Treasury, 1989, etc.) has collected scary tales from all walks of life. Many cultures are represented here: African-American, Russian, Chinese-American, Norwegian, and more. In addition to original stories, there are adaptations of traditional folktales. Some of the greats appear, like ``the Headless Horseman,'' but all of these spookers are excellent. George Harland's retelling of Charles Dickens's ``Captain Murderer'' has little Charles's nursemaid giving him a truly gruesome account of a man who married many women and then ate them. The nurse concludes with, ``And he went on swelling, and turning bluer, and screaming louder than ever, until...at one o'clock in the morning...he BLEW up with a loud explosion. `Good night, Master Charles, and pleasant dreams.' '' Penelope Lively's ``Uninvited Guests'' are a bunch of ghosts who are more annoying than terrifying to the children they haunt. Laurence Yep contributes a funny and horrifying tale, ``Bedtime Snacks,'' in which the evil monster Dagger Claws kills the hero's Auntie and younger brother and claims to be eating chestnuts as he chomps ``crunch, crunch, crunch'' on their bones. (One quibble: Why did Wilson choose to depict the two Chinese brothers as blonds?) Fantastically spooky and literate. (Fiction/Stories. 8+)

Pub Date: Oct. 31, 1994

ISBN: 0-7868-0012-7

Page Count: 128

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1994

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WHY WE LIVE WHERE WE LIVE

This unusual book offers a surprising amount of information, organized and presented in an appealing way for...

Why do people choose to live where they do in our world?

Vermond’s introduction to that big question points out that humans adapt: They use their big brains and work together to make places livable. A comfortable climate, readily available food and water, power for heat, light, transportation and communication, people who speak the same language, nearby families and plentiful jobs are just some of the things people are looking for. From the “Planet Perfect” to making your hometown one of “The Happiest Places on Earth,” the author considers human needs, briefly surveys the development of cities, explains what urban planners do, considers the reasons for living in a dangerous place as well as the reasons for moving, and touches on the effects of climate change and the possibility of living elsewhere in the universe. Each spread covers a separate topic. The extensive, conversational text is often set in columns and broken down into short segments, each with a heading, moving along quickly. A lively design and humorous illustrations add appeal. Unfortunately, there are no sources or suggestions for further reading.

This unusual book offers a surprising amount of information, organized and presented in an appealing way for upper-elementary students. (glossary, index) (Nonfiction. 8-11)

Pub Date: Sept. 15, 2014

ISBN: 978-1-77147-011-7

Page Count: 48

Publisher: Owlkids Books

Review Posted Online: Aug. 12, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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UNCOMFORTABLE CONVERSATIONS WITH A BLACK BOY

Ultimately adds little to conversations about race.

A popular YouTube series on race, “Uncomfortable Conversations With a Black Man,” turns how-to manual and history lesson for young readers.

Acho is a former NFL player and second-generation Nigerian American who cites his upbringing in predominantly White spaces as well as his tenure on largely Black football teams as qualifications for facilitating the titular conversations about anti-Black racism. The broad range of subjects covered here includes implicit bias, cultural appropriation, and systemic racism. Each chapter features brief overviews of American history, personal anecdotes of Acho’s struggles with his own anti-Black biases, and sections titled “Let’s Get Uncomfortable.” The book’s centering of Whiteness and White readers seems to show up, to the detriment of its subject matter, both in Acho’s accounts of his upbringing and his thought processes regarding race. The overall tone unfortunately conveys a sense of expecting little from a younger generation who may have a greater awareness than he did at the same age and who, therefore, may already be uncomfortable with racial injustice itself. The attempt at an avuncular tone disappointingly reads as condescending, revealing that, despite his online success with adults, the author is ill-equipped to be writing for middle-grade readers. Chapters dedicated to explaining to White readers why they shouldn’t use the N-word and how valuable White allyship is may make readers of color (and many White readers) bristle with indignation and discomfort despite Acho’s positive intentions.

Ultimately adds little to conversations about race. (glossary, FAQ, recommended reading, references) (Nonfiction. 10-14)

Pub Date: May 4, 2021

ISBN: 978-1-250-80106-7

Page Count: 320

Publisher: Roaring Brook Press

Review Posted Online: May 10, 2021

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