In Lives of Girls and Women and The Beggar Maid (the Flo and Rose stories), Canadian short-story writer Munro drew unusual strength and sharpness from the vivid particulars of growing-up with—and growing out from—a stifling yet intense Canadian background. Here, though a few of these eleven new stories reach back to that core material effectively, the focus is looser, the specifics are less arresting, and Munro's alter-egos have moved on to a real yet not-always-compelling dilemma: over 40, long-divorced, children grown, these women waver "on the edge of caring and not caring"—about men, love, sex. In "Dulse," an editor/poet vacations alone, away from a troubled affair—and is confronted by sensuality on the one hand and the "lovely, durable shelter" of celibate retreat on the other. Two other stories feature the hurt and compromise involved in "casual" affairs—casual for the man, perhaps, less so for the woman. And in "Labor Day Dinner," the divorced woman is trying again, but with a sometimes-cruel man ("Your armpits are flabby," he says) whose love must be periodically revived by her displays of (unfeigned) indifference. Still, if these studies of to-care-or-not-to-care uneasiness lack the vigor of earlier Munro (at their weakest they're reminiscent of Alice Adams), a few other pieces are reassuringly full-blooded: "The Turkey Season," about a teenage girl who takes a part-time job as a turkey-gutter and learns some thorny first lessons about unrequited love; the title story, in which a woman's trip to the planetarium illuminates her turmoil (a dying father, a rejecting daughter) with metaphor; wonderful, resonant reminiscences about the contrasting spinsters on both sides of a family. And Munro's versatility is on display in other variations on the caring/not-caring tension—between two aging brothers, between two octogenarians in a nursing-home. Only one story here, in fact, is second-rate ("Accident," an unshapely parable of adultery, guilt, and Fate); Munro's lean, graceful narrative skills are firmly demonstrated throughout. But the special passion and unique territory of her previous collections are only intermittently evident here—making this something of a let-down for Munro admirers.
Pub Date: Feb. 1, 1982
ISBN: 0679732705
Page Count: 256
Publisher: Knopf
Review Posted Online: Oct. 1, 2011
Kirkus Reviews Issue: Feb. 1, 1982
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Superb stylist L’Amour returns (End of the Drive, 1997, etc.), albeit posthumously, with ten stories never seen before in book form—and narrated in his usual hard-edged, close-cropped sentences, jutting up from under fierce blue skies. This is the first of four collections of L’Amour material expected from Bantam, edited by his daughter Angelique, featuring an eclectic mix of early historicals and adventure stories set in China, on the high seas, and in the boxing ring, all drawing from the author’s exploits as a carnival barker and from his mysterious and sundry travels. During this period, L’Amour was trying to break away from being a writer only of westerns. Also included is something of an update on Angelique’s progress with her father’s biography: i.e., a stunningly varied list of her father’s acquaintances from around the world whom she’d like to contact for her research. Meanwhile, in the title story here, a missionary’s daughter who crashes in northern Asia during the early years of the Sino-Japanese War is taken captive by a nomadic leader and kept as his wife for 15 years, until his death. When a plane lands, she must choose between taking her teenaged son back to civilization or leaving him alone with the nomads. In “By the Waters of San Tadeo,” set on the southern coast of Chile, Julie Marrat, whose father has just perished, is trapped in San Esteban, a gold field surrounded by impassable mountains, with only one inlet available for anyone’s escape. “Meeting at Falmouth,” a historical, takes place in January 1794 during a dreadful Atlantic storm: “Volleys of rain rattled along the cobblestones like a scattering of broken teeth.” In this a notorious American, unnamed until the last paragraph, helps Talleyrand flee to America. A master storyteller only whets the appetite for his next three volumes.
Pub Date: May 11, 1999
ISBN: 0-553-10963-4
Page Count: 288
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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