by Alice Robb ‧ RELEASE DATE: Feb. 28, 2023
An elegantly incisive, meditative work.
A freelance journalist and former ballet dancer reflects on her complex feelings about ballet, femininity, and the female body.
Robb, author of Why We Dream, wanted to be a ballerina from the time she was a small child. At age 9, after two rejections, she became a student at the prestigious School of American Ballet. She never joined the ranks of professional ballet dancers, but even as an adult, she found she could not “unlearn the values of ballet” that glorified—and exaggerated—feminine traits such as “thinness…stoicism…silence and submission.” The author examines her SAB experiences alongside those of famous ballerinas, many of whom worked with SAB founder and unofficial patron saint, George Balanchine. Famous for bringing athleticism to ballet, he also exercised strict control over every aspect of his dancers’ lives. Robb observes that this structure, though occasionally overbearing, has saved many women—including African American ballet star Misty Copeland—from their own dysfunctional backgrounds. At the same time, ballet’s (racist) equation of beauty with Whiteness has also forced female dancers of color to make humiliating compromises—e.g., painting their faces and arms White to just “blend in.” The discipline required to dance ballet also offers women “the perverse pleasure of abdicating responsibility,” as it inculcates passivity. For example, in the 1940s and ’50s, British dancer Margot Fonteyn, for example, allowed herself to be underpaid, and ballerinas like Gelsey Kirkland sacrificed their health to maintain the emaciated physique that ballet—and choreographers like Balanchine—demanded. Still others, including Copeland, sacrificed broken bones, torn ligaments, and other injuries to practice their art. At once a tribute to the art form that shaped her and an exploration of a “beautiful pain cult,” this engaging book will appeal to dance lovers and anyone interested in the entangled nature of patriarchy, race, and ballet.
An elegantly incisive, meditative work.Pub Date: Feb. 28, 2023
ISBN: 9780358653332
Page Count: 304
Publisher: Mariner Books
Review Posted Online: Dec. 20, 2022
Kirkus Reviews Issue: Jan. 15, 2023
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by Alice Robb
by Jennette McCurdy ‧ RELEASE DATE: Aug. 9, 2022
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.
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The former iCarly star reflects on her difficult childhood.
In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.Pub Date: Aug. 9, 2022
ISBN: 978-1-982185-82-4
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 30, 2022
Kirkus Reviews Issue: July 1, 2022
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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National Book Award Winner
Pulitzer Prize Finalist
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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