by Alice Walker & illustrated by Stefano Vitale ‧ RELEASE DATE: Sept. 1, 2007
How do you answer the question implied in this title? Beautifully, powerfully and truthfully, as Walker and Vitale demonstrate in language and images accessible even to very young children. The lines, “War has bad manners / War eats everything / In its path / & what / It doesn’t / Eat / It / Dribbles / On:” float over an image of a once-beautiful old city, now blasted and sere. War destroys unthinkingly—from bright green frogs to ancient sculpture, from pumas and parakeets to blessed and needful water. War is blind to nursing mothers and boys with donkeys. Walker’s language is perfectly plainspoken without being coarse, laid over Vitale’s jewel-like color and riot of images from the sublime (a village by a lake) to the scary (a poisonous green fog covering a bright forest). Disembodied eyes, bombs like darts, paint sculpted into terrifying monster shape, echo and reinforce the strength of the language. Children deserve to see this, and adults need to be ready to discuss it with them. (Picture book. 5-10)
Pub Date: Sept. 1, 2007
ISBN: 978-0-06-075385-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2007
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by William Miller & illustrated by Rodney Pate ‧ RELEASE DATE: May 1, 2004
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
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by Andrew Clements & illustrated by R.W. Alley ‧ RELEASE DATE: May 23, 2005
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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