RESTLESS

A lyrical historical novella about an elusive young Parisian woman who flees from her family and romantic relationships.

When Guy, a solitary banker, buys stolen roses from an 18-year-old “vagabond” named Emilie, they forge a tempestuous connection that binds them together for years. Though she now lives on the streets, the young woman is a member of one of the wealthiest families in the City of Light; she ran away as a child after the death of her parents in a train crash. Guy is enthralled with her after their first meeting, but after they become lovers, he finds that Emilie refuses most of the constrictions of Edwardian society, from corsets and hats to marriage. The traditionally minded Guy takes this as rejection, and after he impulsively abandons her at a train station, they’re separated forever, which tortures Guy for years. The novella gradually coalesces around the theme of the desire to define the people one loves in order make oneself feel safe. For Emilie, this is shown to feel like imprisonment, even though she longs for love. She continues to elude all who seek her—even her aunt and former nurse who’ve never forgotten their lost child. This novella is comprised of many poetic vignettes that come together for a tantalizing whole that still somehow feels incomplete, as if the reader is searching, and failing, to find Emilie. The chapters are told in a series of intimate stream-of-consciousness first-person perspectives, as in this narration from Guy: “I construct a play without words because I have said nothing to you, and you, in turn, have said nothing to me. Where in this universe are you that I should know your lost language?” All the characters feel like brief sketches except for Emilie herself, and some chapters are figments of her imagination. Indeed, the story circles her like a haunting dream, with imagery taking precedence over plot.

A brief but memorable tale with prose that sings.