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A FAMILY SAGA: LOVE & MYSTERY IN OLD NEW YORK

A pleasingly confident historical adventure story that engagingly shows one man’s emotional journey.

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A historical mystery novel set in belle epoque New York.

Hayes’ richly imagined debut novel begins with a depiction of devotion: Alan Varden, a young boy who lives in terror of his violent, abusive father, takes refuge with his grandmother, who faultlessly loves him and encourages his intellectual bent (“Such a mind! Such a mind!” she repeatedly tells him). She doesn’t fully understand Alan; she fails to fathom, for instance, why he doesn’t venerate the celebrated War of 1812 veteran Robert George Esmond. However, she loves Alan unconditionally and is distraught when he goes off to serve in the medical corps during the Civil War (out of “intellectual curiosity,” he insists, not “simple-minded patriotism”). His experiences in the war further sharpen his prickly misanthropy; behind his back, his military colleagues make fun of “his air of superiority, his frequently stilted manner of speech…the signs of nervousness he showed during shelling.” He has an insatiable scientific curiosity, however, and after the war, he goes to Columbia and becomes a specialist in the fledgling field of neuropathology. He studies the psychology of the hospital’s patients while they’re alive and their physiology after they’re dead, coming to the conclusion that “the vast majority of mental illnesses had no physical explanation.” He also studies the bodies of homicide victims and becomes skilled in determining causes of death; at the same time, he becomes fascinated by Judith Esmond, the revered war hero’s young wife. Alan’s outspoken impatience with the medical establishment throughout gives him a reputation as a troublemaker. Hayes does a wonderful job of crafting this complex character, making him real without making him sympathetic. Her depictions of his expanding role in the murder investigations of the local police are also very well-paced and controlled. This is a lengthy book, but it seldom feels long; Hayes keeps its dramatic tension going by gradually and effectively showing Alan’s emotions maturing behind his vast intellect.

A pleasingly confident historical adventure story that engagingly shows one man’s emotional journey.

Pub Date: Dec. 27, 2013

ISBN: 978-1-4921-0556-5

Page Count: 614

Publisher: CreateSpace

Review Posted Online: March 10, 2014

Kirkus Reviews Issue: May 1, 2014

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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