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BROKEN GLASS PARK

A touching story, both tough and tender.

A lively debut novel with a cheerfully cynical narrator, first published in Germany in 2008, from Russian-born Bronsky.

The focus of the narrative is the consciousness of Sascha Naimann, a 17-year-old émigré from Russia to Germany. She’s skeptical, witty, loving, intimidating, vulnerable—and understandably furious that her stepfather, Vadim, murdered her mother a few months before the story opens. What enrages her most is that he’s in prison and thus out of reach of her fury, but she nevertheless plots revenge with feverish intensity. Sascha is now more or less in charge of her two younger siblings, the precocious Anton and the adorable Alissa. They all live in the Emerald, a disjunctively named public-housing project that is scarcely the jewel of Berlin. After a breathless and almost admiring article about Vadim appears in a local rag, Sascha shows up at the editorial office to set the record straight. There she meets Volker, an older man she quickly becomes enamored with and seeks out as a refuge from her wretched life in the projects. When Volker takes Sascha home, she gets more than she bargained for because she also meets Volker’s son Felix, a weak and chronically ill teenager who in turn becomes smitten with Sascha. They both quickly lose their virginity, and later that same night Sascha is accosted by Volker. Although “nothing happens,” he’s ashamed of his behavior and still courts Sascha’s friendship. At one point Peter the Great invites Sascha to “Broken Glass Park,” a wooded area known as a place where sketchy characters smoke dope and do other dark deeds, but it also becomes a metaphor for the unassailably bleak landscape inhabited by the narrator. Sascha becomes infuriated when she learns that Vadim has supposedly repented for his crime and then hanged himself in his jail cell, but she also finds that this act liberates her into the possibility of a more positive existence, one not based on a desire for bloody vengeance.

A touching story, both tough and tender.

Pub Date: April 1, 2010

ISBN: 978-1-933372-96-9

Page Count: 224

Publisher: Europa Editions

Review Posted Online: Sept. 21, 2010

Kirkus Reviews Issue: Feb. 15, 2010

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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