IT LOOKS LIKE US

Troubled teens fight monsters.

Riley Kowalski is a classic “final girl”: She’s picked up by a helicopter amid the burning wreckage of an Antarctic research station, the lone survivor among her group of young data collectors. Interrogated by a private security force, she reports a gruesome tale. After applying for this gig via a targeted ad and hoping to break free from her debilitating anxiety, Riley finds herself working with four other teenagers who are also trying to get away from their pasts. The expedition, supposedly designed to collect icebound microplastics, is funded by amoral automotive tech multimillionaire Anton Rusk (any similarities to a real billionaire with a rhyming name are obviously intentional). After strange visions worm their way into the corner of Riley’s vision, one of their adult chaperones becomes infected by a virus, her body elongating and morphing into an eldritch horror, and the fight for their lives begin. The unforgiving setting is automatically fascinating, and the monster is a good, gory, bone-cracking invention. Most characters default to White; one boy is from South Korea, another has brown skin and is gay, and Riley is asexual, but these identities are not developed beyond passing mention. True terror is hamstrung by the often clunky prose, told in a limiting present tense despite most scenes being related after the fact, and hard-to-follow action scenes. Nevertheless, fans of horror will find a lot to enjoy.

A satisfying fulfillment of classic creepy tropes.