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THE DARK DAYS PACT

From the Lady Helen series , Vol. 2

The fantasy/Regency/history mashup readers didn’t even know they wanted.

Following the events of The Dark Days Club (2016), Lady Helen is back, still grappling with propriety and power.

Amid the seasonal intrigue in Brighton, Lady Helen Wrexhall has begun her Reclaimer training in earnest, supported by a motley crew: Lady Margaret and her brother (who have an unexpected past); Delia Cransdon, not quite ruined by a failed elopement; stalwart servants Darby and Mr. Quinn (a Pacific Islander, the only person of color in a sea of Regency white); and of course the enigmatic and entirely too attractive Lord Carlston, who may be slipping into madness from his repeated encounters with the terrifying Deceivers who walk among and feed off humankind. Goodman delicately balances multiple strands, tying together a slow but steady plot that moves inexorably to an action-packed climax, with a love triangle that is thematically perfect: Selburn celebrates and cherishes Helen, while Carlston pushes her. In love as in her Reclaimer powers, Helen must determine her willingness to break the rules and be her own woman, making mistakes along the way and pushing back against those, both human and Deceiver, who seek to control her. It all plays out against an impeccably researched and detailed Regency setting, and if too much time is spent in Helen’s head—well, she has a great deal to understand, and it’s not surprising if it’s taking her time to find her way through.

The fantasy/Regency/history mashup readers didn’t even know they wanted. (Historical fantasy. 13 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-0-670-78548-3

Page Count: 496

Publisher: Viking

Review Posted Online: Nov. 15, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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THE WAY I USED TO BE

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.

Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

Pub Date: March 22, 2016

ISBN: 978-1-4814-4935-9

Page Count: 384

Publisher: McElderry

Review Posted Online: Dec. 15, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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